Time enough for rotten doujins

It is important to consider perspectives.

“Saito highlights that BL “characters overcome the taboo of homosexuality, thereby proving that their love is truer and purer than that of heterosexual couples and “real” gay men.” (Saito, 2011: 183) She sees the relationships depicted in BL as having severe implications for “real” heterosexual characters and “real” gay men because of the idyllic romance depicted that typically conquer time, space, heterosexuality, homophobia, and wide range of possible trials. Similarly, Mizoguchi argues that “when yaoi protagonists say ‘I’m not gay, I just love you,’ they are also saying that those gay men who love other men for their male bodies are creeps.” (2008: 134) Both Mizoguchi and Saito argue that the disavowal reifies “real-life” gay men/identity by, in effect, suggesting the yaoi pair’s relationship is pure because it lacks the taint of homosexual desire. However, I question to what extent readers will differentiate between “real-life” gay men and BL manga characters as “different.” This is not to say that readers will expect “real-life” gay men to be like BL characters, but that the expression of homosexual romance is the same. McLelland reports similar findings with over half of female respondents under 35 declaring support for homosexuality as another form of love. (2000: 70) While Mizoguchi and Saito’s observation are not necessarily off-base, but the subtleties of their reading is not necessarily one that fans would notice.”

— “What’s So Queer About Boys Bonking?” A Queer Analysis of Gender Normativity and Homophobia in Japanese Boys’ Love Manga” MA Thesis; Gender Studies, School of Oriental and African Studies (University of London) September 17th, 2012 by John Francis pps 25-26
https://johntfrancis.files.wordpress.com/2013/05/ma-gender-studies-535522.pdf

“Hello, I’m a liberal middle-aged white guy in a movie. Although I’m very supportive of LGBTQ and POC friends, often offering concrete aid, I’ll still constantly slip up and say things that show I can never truly understand… godDAMMIT this is just me in real life, FUCK this game, fuck!”
–Redacted well-meaning liberal middle-aged white guy on Twitter

January 2019. A new year begins. Regular readers may notice that my previous “12 days of Anime” series of posts wound down abruptly. I plead the holidays, “local state”‘s bureaucratic engines suddenly target-locking on my concerns and a really nasty flare-up of one of those middle-age-related health things that, even if they are a Real Effing Drag™, are not (yet) chronically debilitating or fatal. Also, I am getting used to my high-spec bionic eyeballs (BL SofPort Advanced Optics Aspheric IO Lenses). Yup, a cataract snuck up on me last year, scared the crap out of me; the doc told me best to do both eyes and now for the first time since I was 5 years old I don’t need to wear glasses. Except when I need to see anything closer than 4 feet. Grrrrr. I can’t cut my toenails without 3.00+ cheaters!

TLDR: I don’t write well when I hurt, focussing on the screen is annoying and I have paperwork shyte-shyte after me. Most of all that has been dealt with. So do I finish up those 12Days posts?

Oh lookie, a shiny shiny new thing!

Finding this nifty 2012 Masters thesis in a link in a 2016 blog post about Fujoshi [ I noticed a ping-back to my blog, so: https://shiraai.wordpress.com/2016/05/01/the-f-word/ ] prompts me to try to tease apart a few more of the strands that entangle the “queer-ness” as well as the “heteronormativity” of BL and the fujoshi project.

“Boys’ Love manga grew in popularity in the United States at the start of the 21st century. While I cannot recall the exact year I first came in contact with the genre, likely sometime around 2005 or 2006, my first BL manga was Shinobu Kokoro – Hidden Heart – by Matsumoto Temari.I remember purchasing the book, unaware of the content, but attracted to the art style. I always favor the BL manga featuring androgynous ukê characters. My involvement as a passive fan of the genre over the years formulated my interest in queer theory and gender studies, because I always identified and found interesting the absence of sexual identity. I am sure that my continual enjoyment of the genre is seeing a romance that defies the expectations of both heterosexuality and homosexuality, an expression I view as queer and similar to my own position and identity. For me, Boys’ Love manga provide(d) a significant impact on how I have crafted my queer identity. In this regard, I am heavily invested in queering BL manga, which is why I want to problematize the issues that interrupt and problematize the enjoyment of BL and its
queerness.”
–ibid p30 Chapter 4: Concluding for a Queer Appreciation of BL Manga

Theory Moe time! I am assuming that the author identifies as male – though I could be wrong and as “queer” in the sense of attempting to surpass the role limitations that a strict “gay guy”, let alone “straight guy” identity would entail. At a short 39 pages, the work is interesting in that it examines some of the value and attractiveness of the genre to a queer reader of stories made by/for a fandom “marked” as originally majority (%90) women, with those women equally “marked’ as majority “straight” or at least operating within a “heterosexual” framework.

Whew! Disclaimers! More: why is old pale-skin straight-boy me (Later, from jail/ I sent a brace of telegrams/ to the right people/ explaining my position. –Thompson 1965) mooching around this stuff? Huh? The value of this work is not only that one gets to peek into the thicket guided by a queer POV but it’s enquiry into modes of post-yaoi-ronso identity category blurring. How does a “queer” guy look at the women-written bonking bishies?

It has two main faults or at least shortcomings for my tastes and towards the ends I plan to bend my argument towards: First, it really, really situates itself in the mid 2000’s. The genre has evolved since. Examples that refer to Japanese “gei” tropes are even older. Furthermore, in exploring a wider “queer” subjectivity it compresses ‘heteronomativity’ into a screeching white-hot ball of GOP voter patriarchial whatever.

Which blurs SOME of the reasons why all those Japanese nominally straight women (and many more) find it all so yummy.

What the paper DOES well is go through arguments, sometimes using Dr Akiko Mizoguchi as a straw-lesbian-BL-enthusiast-and-academic-authority, to highlight aspects of BL (and those that can be transcribed to other queer-for-nominally-straight genres such as Josou/Otokonoko and even Yuri) that are often minimised, if only because they are a bit harder to stuff into a sound bite.

There is an odd parallelism/ congruence in the view of the paper’s author, as a queer reader searching for stories of relationships by actors less-marked by social roles; a view that he considers as “queer” and the views of the within-a-heterosexual-framework “dreaming in yaoi” rotten girls who want a fun p0rny gooey romance featuring (their choice of) good-looking characters (guys) getting all hot and bothered about each other without having to OBEY a thicky stack of disappointing set social scripts that guys and girls are supposed to follow. Hey lookie, lust hits, they go mad. Society has ZERO to say about how it plays out. After lots of angsty schmex, tadah! They be in love. OTP! (One True Pairing) OTP!

The rotten girls want stories outside of “heteronormality” as much as the author of the paper enjoys stories outside of “homonormalities” (and “heteronormalities”), the latter preference getting shorthanded to “queer”. You could draw one of those intersecting circle graphs with “rotten” as one circle and “queer” as the other. But one more thing sneaks through the net: these stories are, beyond 15page doujins full of porny “the good stuff” fundamentally romance stories. Harlequin Nurse novels for those of us who need a dismissive stereotypical analogue. Bodice busters; the dashing privateer and the haughty heiress, etc etc. Only done as all-guys.

And as I have noted previously, the rest of us straight Borg (guy variant) can now and again fall prey to the siren call of hawt and steamy romance tales too; as long as these center on two soon to be nekkid with each other ladies. That gives us cover… and nekkid ladies.

We all know how to fuck but what do any of us know of how to love?

Otherwise we seek refuge in traditional social roles, because they are reassuring and if we iz guys, we are supposed to get more privilege out of the song and dance. This is less than optimum because “I have a job, so you make dinner, my babies and obey me” isn’t working so well any more. Social norms and law aside, the economy will grind any such bullshit into dust soon enough. So, what next? She is also going to also get a part-time job and offer tribute to you? If you really really cannot survive without a submissive partner, you should take up either an extreme sexual fetish or join a cult. If the latter, best start your own cause Holy Leader gets all, while you get to wind up your incel rage into paroxysms that serve him; not you.

A kinky leather wardrobe might be easier than some of the other net-shyte out there.

Here’s a nifty Twitter exchange that demonstrates the point; complete with the sound of a whole bunch of trolls’ whiney little needinesses shattering.

“A real woman is ready to sacrifice her career for the man she truly loves.
— Redacted Twitter troll #23,976. Dec 24, 2018

“The hets aren’t okay. Also, in what universe would someone even *need* to sacrifice a career to love someone unless that someone is a needy asshole who won’t let you have a life?”
— Twitter [律「HoliDyke」] aka Andrearitsu

“All the school in the world can give you a
PHD
MSc
BSc
HND
OND
But only a man can give you a “Mrs” so be humble… 😌😌 ”
— Redacted Twitter troll #23,977

“Actually a woman who marries a woman can still legally use “mrs” to refer to her married state and I bet she won’t have been asked to “be humble” for it by her partner in doing so.”
— Twitter [律「HoliDyke」] aka Andrearitsu

Yuppers, they did it. Them darn gays “killed marriage”. If by marriage the above trolls really, really believe their crap — in which case they will either end up forever ‘ronery or on a sex-offender list. I have seen too many happy straight marriages fall apart because buddy suddenly got all paranoid and controlling. Don’t do that! Only villains do that. Your mate is a free human being with agency and the law insists on equality (mostly, less in some GOP States). You might be able to minge your mate into getting your way for a while but in the end all you will win is a mouthful of ashes. You knew that from the start, didn’t you? Self-sabotage; the ultimate wank.

This soon veers out of the lane over into the old “its the fault of -class of individuals-“, rather than actually using whatever democratic structures of government are available to push back at the capitalist/ mercantilist power structures that want everyone to work without job security or benefits, for peanuts, as well as pushing for the usual basket of social safety net supports; you know the drill. The urge to individualise changing socio-economic conditions that cause extreme societal role friction is strong. Scapegoating remains a popular response; there are plenty of wrong-headed personal reasons to wink, nod and mouth the bullshit. You might even be ready to cut off your own nose so that “those people” don’t get to have one on their faces but in the end it is futile.

Muda muda muda, you fell for it again! Global corporate capitalism continues unimpeded!

…And that’s why Japan, BL (and their other dream-in-queer genres) are so fascinating.

A whole genre of women’s fiction has been DIY’ing allegorical glimpses of alternatives for almost 40 years now.

Mandatory disclaimer: These shadows of real LGBTQIA lives and/or practices mean something completely different to actual readers who live in that life. Or IRL as the otaku-speak goes. Their approach, enthusiasm and/ or disdain for these representations (often a mix of all of the above) are separate, yet in parts, congruent to the concerns of us boring Borg-like “hets”. Again; that is why this paper is so useful. It recognises but slips past, then returns, then drags off in a different direction these issues from a queer POV. Any group develops strong normalities of how that group ideally acts. There is always plenty of under the surface jostling over what is the right thang for any particular time and location. It too gets suffocating.

To appreciate how, and why this is useful to a majority subjectivity requires putting “Heteronomativity’ up on the hoist and taking the air-wrench to it.

Whirrrrr… whirrrr…. Whackackackack… whirrr.

Part of this “Heteronormativity” is of course that there are so darn many of us all over the place. We end up distorting the socio-economic gravity field. Whether old-style haters, well-mannered contemporary citizens or whether our polite behavior masks a rapacious and instrumental curiosity (or all of the above), any time we gaze upon “the other” that is the “queer” (etc) we do so for our own subjective and undoubtedly selfish reasons.

Similarly, we outlanders looking in and doing kitchen sink etc (now expanded to social anthropology) can pretend to understand the contemporary Japanese experience (build a teeny tiny imperfect model based on our concerns) from say; a whole bunch of weird little comics – including self published naughty doujinshi and whatever stats and trends we can shake out of the English language web pages of The Japan Times leavened with the occasional expose by Jake Adelstein (& co.) in Buzzfeed. Oh; Rocket News. (maybe Kotaku too)

Before I further “fetishsize” and “other-ize” the Japanese experience, I should lead off with the inescapable one big thing that makes Japan’s Culture so tasty to “us”. The Japanese are as fascinated and prone to “fetishsizing” and “other-izing” us as we are of them. Our eyes meet from across the room, then our gazes lock. This is like some kind of romcom.

Oh heck! One… More… Time:

“More than fifty years after the war’s end American scholars are still organizing knowledge as if confronted by an implacable enemy and thus driven by the desire either to destroy it or marry it.”
— Intro, Perversion and Modern Japan: Psychoanalysis, Literature, Culture. Edited by Nina Cornyetz and J. Keith Vincent. London and New York: Routledge, 2010.

Not that this grants an all-day pass for the above fetishsizing” and “other-izing” but we can at least be aware of the slip and back-and-forth exchange between our respective, hungry subjectivities. Stick to BL-ish stuff: 1970’s proto BL bishonen works. Why so often set in some pre-WWI exotic fantasy Europe? Why, in the 1980’s and 90’s was the rich exotic foreigner seme such a big BL thang? How about exotic, dangerous foreign locales and locals instead? instead? Wikipedia is your friend: Banana Fish (orig and contemporary anime vers.) On a het level, note what was swiped and repurposed to serve in Black Lagoon.

Oh Heck, veering all over the place. Eyes on the road!

How do you strip away the society-sez-you-gotta-act-in-these-roles from the steamy romantic (as well as the smutty) stuff? Kind of like how you get rid of the peaceful obedient, law-abiding well-ordered toxic hierarchical and suffocating Japanese corporate social rules so you can help the really strong hawt merc babe reload her guns as the edgy-dangerous South East Asian Dive Bar™ you and her are having a drink in turns into a free-fire zone. Damn! That’s exotic. That’s adventure!

And now I have conflated a BL classic with a Merc adventure series. Facepalm.

As well, it is not that the majority of Japanese women have turned into asexual and/or lesbian BL-marathonning low-level office drudges, any more than that the majority of Japanese men have either gone gay and/or decided to marry a hologram (She is NOT a hologram! Her name is Hatsune Miku and she is a -minor, Japanese- God. Also a Shinkansen pilot!) as they try to hold onto their office jobs or precarious freeter/ temp gigs.

Except for the office drudge/ precarious employment freeter/temp stuff.

As far as I can make out, the only non-toxic ideal heterosexual romantic make-a-life Japanese fantasy story left, short of lottery wins and saving incredibly rich corporate exec ladies for train drunks is marrying into/starting a family restaurant and/or grocery store. Everybody, including the eventual kids take turns stocking/cooking/serving and standing behind the counter. After the day’s work is over, the happy couple cook dinner together, supervise the kids doing their homework and then retire to their someone-tosses-and-turns-at-night-so-twin-beds where a quiet slide-over and some not too noisily enthusiastic measures of happiness can still be regularly indulged in at night.

Such dreams are probably a lot harder to pull off than imagined. Also, no one wants to leave the big city to marry into a farm family any more. No one.

Extra research: do a quick survey of manga/anime depictions of MC’s families from 1980 through to current. Do the survey with mainstream/ het-normed manga/ anime. Note how first Dad then Mom evaporates. Was it a trick to “destroy the family”? A device to focus attention on the potential for (forced) individual agency by the MC? If it picks up some identification points from the readership; bonus!

Among Japanese women, even BL reading fujoshi, the mythic ideal of financially secure good-wife-wise-mother-hood still holds a powerful appeal. Pity it is so out of reach for so many and/or what if the guy turns into useless needy, controlling man-baby? Shit! What if he gets unemployed and/or starts screwing around, drinking too much and blowing the savings on the ponies? What if the fool goes and gets himself dead? More than half of Japanese single mothers live below the poverty line. Child support is an optional civil contract matter – even if Japanese family courts will always put the kid(s) in care of the mother. Even if she manages to keep things stable and hubby brings home the sarraryman pay cheque, everyone is worked to near-death. Where is the mad romance?

Let’s destroy all the social rules and roles and scripts that get in the way and take two bodies with physical and socio-economic strength/ freedom/ agency and bang them together and get some theoretical yet intense romance, with steamy schmex. Bonus twice of what looks good to the readership without some cartoon bimbo with a huge rack in your face and buzz-killing your fujoshi enjoyment. Hey wait! Them is guys! They have no idea how to do romance. Fallback: they have friendship and guy friendship is supposed to be mythically stronger and more intense than m:f or f:f friendship.

Note that they DO NOT ask on 2chan for dating advice, even if they crave the reassurance of herd approval.

Damn! Lookie at those hunks. They even do more than grab tits, crotch and then hump until someone prematurely ejaculates. They do the nasty BETTER than real guys. They have (gasp) multiple orgasms! (Japan needs to get to know a few reputable online pharmacies from India – yes, these exist; also a great way to load up on anthrax-strength antibiotics fast and cheap too.)

Back to the fun light reading. Buried somewhere under the guys working out who is going to act out some of the catalog of available uke roles (and/ or seme roles) there might even be a dab of aspirational romantic fantasy modelling. And this is far less of a useless fancy than say, what Rock offers his sarraryman readers while he guards Revvy’s back.

This is not exactly a new idea, even in the West. Go dig out Heinlein’s thicky 1973 sci-fi epic Time Enough for Love if you want an ancient American male-gaze version. Of course the two med-techs are both happy that one of them ends up a woman and the other a man, but the sci-fi societal conventions were made clear from the beginning of the tale. In such semi-formal workplace hookups, gender is incidental. Also everyone wears Asbestos Suits (cf Leacock, 1911) If you can make it through to the end, our annoying MC even gets to time travel back to bonk his Mom! (She has no idea of his identity but considers the daliance fun and somewhat sweet). Also circumspect when it comes to RAH’s spanky fetish.

Heinlein can re-het-norm even the queerest in-the-future setup. And he did so half a century ago. Also he preached too much. Still, many of the trolls out there might benefit from reading this one. Within their comfort zone. Not like anyone is forcing them to read Dhalgren or anything.

To tie this up with a bow, what our essayist relentlessly marks as “queering” looks damn close to a straight instrumental gaze that wants to eliminate distractions while positing a fantasy level playing field. The readership can relax without getting their noses re-rubbed in annoying IRL scripted roles and conventions and maybe, perhaps even figure out some approaches or desiderata for that most elusive prize: the egalitarian romantic life pair-bond.

I previously mentioned the Yuri genre, taken from the view of the straight male gaze. Other odder fetish-y genres have grown in prominence since the 2000’s, some of which I find ridiculously funny and yet useful in teasing out what is acceptable to an expanded heterosexual male-gaze subjectivity, what is marked as ‘gay’ or ‘gei’ but still might be within the realms of guy-ness and what is irrevocably tainted by the touch of the fujoshi gaze. As I have previously ventured:

“The “deception” that the straight male subjectivity fears is not present upon the body of the otokonoko but within the emotional complexity of any interaction. ”
https://heartsoffuriousfancies.wordpress.com/2017/08/07/fearsome-asymmetry/

But the problem goes far deeper than this, lying in the modeling of fictional, idealised (or less) same-sex/ gender-fluid relationships created for the consumption and entertainment of heteronormative subjectivities. As a straight man, I can read and model, even consider multiple, even conflicting fictions/ models of such desires but in the end, I must acknowledge that what finally gives the real desires that these stories are shadows of, the weight of authenticity is precisely that I will never fully understand them. If I could, I would distrust them as mere fictions. This is how all those het-ish tropes sneak into BL; many more examples abound.

The mirror distorts; the reflections therein bear glimpses but not fascination.

Too Complicated. Wait; figured it out. Blame the millennials!

What little more-contemporary BL-ish stuff that I have stumbled across and not freaked out over (just moi, working on it) has meanwhile gone on to sand off some of the rigid seme-uke rusty bits (even as we outsiders simplify an entire catalog of variations on the seme/uke theme) in the genre. You can flip back through this blog for examples. Consider the lonely angst of the younger chara in Rendou Kurosaki’s ON or the ways in which the Utsotsuki Lily BL spinoff gives the (young woman) reader who might care to consider ways and means for getting a guy’s attention while demonstrating that yup, she not only likes but wants mr. slow on the uptake guy THAT WAY — a safe stand-in to work out how to go about it – or at least dream of doing so. Happy romantic and physical pairing achieved! (and c’mon, that bishie boys set-up is so damn heterosexual transposed “I know what you like” girl takes the lead seduction that, oh well, right… Margaret Magazine. For now the readership is just enjoying the show and taking a few notes.)

With the Genshiken spin-off Spotted Flower, we have a slightly more conflicted rendering. Almost as if, IF those two were going to “give it a try” they should have developed some spine(s) and gone at each other while still single and still in University. Bhuttt Noooooo….. (WTF izzhe goin on about? It’s a series and sequel that took up a lot of posts in this blog until the main series ended 2yrs ago; the kinda-sequel still comes out 4x a year.)

Now if I could only find a guy queer-theorist take on isekei (I was reincarnated as a….) stories. I have exactly ONE example of a woman-centric one: Magic Market. Are there fujoshi isekei? Queer approaches to BL isekei? Again; chercher le dissatisfaction done with a genre of escapist fiction. Scan with all available sensors, consolidate and report findings! Oh Fuck! Most isekei start off as net-novels written by guys(?) whose pen names translate out as “Emperor restoring repulser of foreigners“.

Maybe that genre needs a more subtle approach.

Also, read the thesis paper. Good’un!

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on point

An academic conference in Yokohama, this weekend:

Queer Transfigurations — International Symposium on BL media in Asia.
Saturday, July 1 & Sunday, July 2, 2017,
Kanagawa University, Yokohama Campus

“My critical examination of yaoi begins with the premise that yaoi does not represent any person’s reality, but rather is a terrain where straight, lesbian, and other women’s desires and political stakes mingle and clash, and where representations are born.”
— A. Mizoguchi, “Theorizing comics/manga genre as a productive forum: yaoi and beyond”
http://imrc.jp/images/upload/lecture/data/143-168chap10Mizoguchi20101224.pdf

‘Fantasy is fantasy and reality is reality’ opine the characters of the Genshiken, echoing a claim made by Dr Saito Tamaki that despite the libidinised nature of otaku (and fujoshi) consumption — or because of it — the Japanese fan, even (or especially) the most committed of these are able to keep the walls between real life and “play” separate. They are all in effect flaneurs, connoisseurs of their outre fictions and these fictions’ effects (or affects). The riajuu may be bombarded by the relentless flow of images and desires and retreat into numb passivity, even reactionary withdrawal but the L33T fan surfs the shock-waves and hacks the spew.

How’s that workin’ out for you all?

Ok, so what if this sounded a lot like an update of the old floating world brothel-crawler notion of “iki” — which incidentally influenced european ideas of the flaneur – – as well as trying to drag the old-school practice of situating narratives of minority sexualities and gender expressions in lurid pulp exploitation settings into a better neighborhood [see: https://heartsoffuriousfancies.wordpress.com/2015/08/21/your-own-private-game-of-laplace/] via Comiket, shoujo manga and its more interesting offshoots.

Along the way, a lot of folks pretended that they forgot someone(s).

If you are a not-quite-straight kid in Japan (or adult) and you value your privacy, this pretense or at least quiet convention had (and still has) its uses. The last decade’s general agreement about BL and yaoi in Japan was that %90+ of the readership was female and that the overwhelming majority of these were straight women who enjoyed it as a relaxing and amusing diversion. If you were a gei male, there was manly-manly Bara for you and nobody really bothered about what 3D women who liked women cared to read. There were even a few convenient broadsides from honest to goodness flesh-and-blood homosexual male polemicists who criticised the rotten tribes for acting like “dirty old men” (though the major flare-up of this controversy happened decades earlier). If real gay guys groused about the stuff, it must be some kind of odd straight-girl fantasy thing and therefore harmless. Pay no attention to the fujoshi behind the curtains.

Meanwhile in the euroethnic mostly anglosphere west, research spotty as it was, indicated that slash readership was closer to %50-50 male-female and that the desires and identifications of the readership were all over the map, with a strong ‘queer’ gradient.

Something was due for a change.

I wonder how many casual fujoshi will make their way to the conference this weekend? What the devil is a casual fujoshi anyway?

In truth, gay folk, queer folk have always, apparently been part of creating these stories and consuming them. Folks are doing the historical research so that concealment does not end up as erasure. At the same time, there is a vast readership and fandom made up out of straight women and even (per the two extant fan studies plus hints about secret secret publisher data) somewhere around %1 straight male readership (%10-15 of the male readership). And then there are lesbian fujoshi, who while unfathomable in terms of demographic representation, make up some of the most productive and articulate champions of the genre. And there are gay guys who like it too. (those fan studies would put them at %80 of the male readership or %8 of the total readership) Over across the boulevard are the Yuri fans with all those pesky mostly-straight male yuri-danshi (I still prefer the older, western-anglosphere LFB term), even if them’s are for a different conference (which I would also really like to attend). We LFB guys aren’t too good on holding up our end of the fandom, but our Japanese brethren keep buying the magazines, so that’s something.

A lot of the academic interest in fujoshi and otaku fandoms in Japan has been carried out as informed by queer interests and situates comfortably within a larger idea of “queer theory”. If you are going to read any kind of academic writing about your fave manga, anime and/ or games you are going to get hip deep in it fast. After all, BL and yaoi (and yuri and even weird otokonoko/jousou) stories sure look like ‘queer texts’. Lookie: same-sex bonking! How long can the publishers keep up the pretense that they are all just something like sci-fi-ish or fantasy allegory and mostly for straight folks dreaming in queer?

In Japan, probably for a while longer, especially if it has something to do with sales revenues.

Time for some Academic Cool Japan jiu-jitsu:

[http://human.kanagawa-u.ac.jp/BLinAsia/Transfigurations_Program.pdf]

Take a close look at the conference presentations, the presenters and the moderators. All-star line-up! Welker, Mizoguchi, Nagaike, Baudinette, McLelland, Galbraith and a whole bunch of others whose names look vaguely familiar from my amateur theory scrapings. Note as well the titles and subjects of the presentations/ papers. This is about how a certain Japanese cultural product hits the rest of “Asia” and then creates its own context and readings. Ichiban Nihon Bunka!

Note as well, the absence of the dreaded fashionable academic neologism “Gl-ocal“.

Oh frabjous day!

Wonder how many Cool Japan bureaucrats will be in attendance? You wanted “soft power”? Congratulations! Now about the way Japan is sluggish about the rights and protections of minority sexualities and gender expressions and the upcoming 2020 Olympics… Do I hear whistling from the audience?

One academic not on the program (perhaps because the historic role of the wider shoujo genre is mentioned only in passing) is professor Rachel Matt Thorn, who in a recent Twitter thread went into the changing face of the Japanese fandom — at least the university-attending fans in her classes. TLDR: they ain’t the Genshiken. They are hyper-social, engaged, productive and even activist. I hope that she gets around to expanding upon these observations in her blog. [http://www.en.matt-thorn.com/]
(Update: per Twitter, prof Thorn plans to attend.)

I suspect that the student attendees at this conference will be equally unrecognisable to anyone expecting Genshiken style fans/ fujoshi, even as their updated versions will be undoubtedly surprised at the range, influence and effect of their fave genre. A few might even wonder if any of the diaspora product needs to be tracked down and studied, for the sake of a wider cultural perspective. …Won’t even get into speculation over the straight, fujoshi, fudanshi, gei continuum issues. I have a feeling that Dr. Mizoguchi has long since updated her 2010 observations to include male interest, even as the genre remains a powerful primarily female-authored form.

Readers of this blog know my angle on all of this and I would be curious to see how the conference presentations handle the clashes, not only between cultures, but between the readerships who want their fantastic allegorical (and somewhat racy) dream-in-queer diversions and readers who seek aspirational representation and support from the genre. So far the only strategy I can identify that does not involve proscription would stress authenticity as verisimilitude; in effect a value added approach — which is damn crass when real lives are at stake.

Unfortunately, publishing and content creation, like most capitalism is crass, and often brutal.

A final thought: Open Access = mega citations and academic fame.

It would be wonderful if the uni streamed the proceedings, or at least vidded them and put them up on YouTube. (Later: have been informed that presenters were not asked/ warned about the possibility of video recording, so that’s out. As someone who participated in a conference that let me use my blog nym, I should be better clued in on privacy concerns for presenters/ attendees.. Duh!)

(LATER: Howbout an audio transcript for Soundcloud? They embed well. I should stop; my previous gallery gig – we always tried to at least get a sound transcript from a presentation. We’d put a volunteer/ student intern in charge, do a little Audacity trimming and up it went, even if the sound quality was atrocious. Again, prior warning, privacy concerns…  So much to consider…)

Publication of the papers/ presentations in an open source journal or collection so that the conference doesn’t end up on some shelf or stuck behind a paywall would be wonderful.

(LATER: Prof Welker points out that he “shares all published articles & book chapters on request. As do many scholars. Just ask!” Regging up an indepedent researcher account at Academia.edu makes requesting such fast and easy. I was even able to do so using my blogging nym. Such individual ‘sharings’ are legal and  allowed by journal and/or publication contracts; which otherwise lock down academic articles and books behind paywals that even notorious [-cough- sci -cough- hub] russian academic study sites fail to worm their way past.)

Best wishes for a successful conference!

Heart-under-bear

One can learn all kinds of things from an online course on Japanese Pop Culture

The robot Enka bear dubbed over Hatsune Miku
[https://youtu.be/58ACC6ytOoE or https://vimeo.com/198470722]

 

This is how fans take existing stuff from pop culture — especially if it is lose on the interwebs — add to it and send it back into the raging flood. Secondary Production, Derivative Works, Transformative Works, Remix.

“Kuma Uta – lit “Bear Song” was a 2003 Japanese playstation/2 game wherein
you helped a cartoon polar bear write Enka (sappy Japanese
folk ballad) songs and then set the staging and costuming for his
performance. The musician/ producer/ re-mixer EUPHY went into the game files, extracted the vocal banks and patched them into the (male voice) UTAU banks from a
Vocaloid music program. The instrumental arrangement sounds a bit
grungier too, which really kicks the tune up a few notches.

GAWD I LOVE THIS BEAR SONG COVER!

AUDIO: 【UTAU x Kuma Uta】Love is War【Polar Bear Chaos】

“”This was simply a test on how well Polar Bear Chaos from Kuma
Uta fairs in rock songs, and I think it sounds pretty good imo.
Maybe not exactly heavy rock songs, but stuff like this is good
enough.”
Song: 恋は戦争 (Love is War)
Producer: ryo
Original Vocal: Hatsune Miku
Vocal: Polar Bear Chaos (from Kuma Uta) (The game, the voice and
the character all belong to Sony. I only made him into an UTAU.)
USTs: @momo-chan-222 (Main) and IvetaRocketJessie (Harmony)
Mixing / Art: Euphy”

https://soundcloud.com/ew_fee/utau-x-kuma-utalove-is-warpolar-bear-chaos

ORIGINAL VIDEO: 「Moetron-Subs」 Hatsune Miku – “Love is War” 3DPV
(English Subs) — Uploaded on 17 Sep 2009
Lyrics: ryo
Composition: ryo
Arrangement: ryo
Vocals: Hatsune Miku
HP: http://www.supercell.sc/index.html
Song: http://supercell.sc/music/koisenn.zip
Video: http://www.megaupload.com/?d=1WGLDJQI
恋戦pvらしきもの
ニコニコ動画より転載
sm5128715

 

Miku doing Love is War, ‘live’: [https://youtu.be/G8yTVpKjOOY]

.
VIDEO EDITING SOFTWARE: VSDC Free Video Editor [https://www.videosoftdev.com/free-video-editor/download]

Dubbing & Crap Title page from Orig Euphy art by me
All material belongs to the original creators
Any timing & editing glitches remain mine.

COURSE: https://www.futurelearn.com/courses/intro-to-japanese-subculture/
No; this wasn’t Homework – The section on Vocaloids went into the history of
vocal synthesis and mentioned the obscure 2003 PS/2 game. It took a bit of digging but I found plenty of Youtube clips from the game (search Kuma Uta), the Euphy revival and a link to an ISO of the original game. Now, one needs a “chipped” ps/2 to play a bootleg game disk, but guess what I rigged up for someone years ago, which is still available to me? Oh, wait, the game is in Japanese! Help me, she-who-up-with-me-puts, help me! This will make for an odd date night.

Izetta Eps 6,7,8,9 etc… Dropped

I give up!kancole-shyte-web

Shuumatsu no Izetta is a tolerable action-adventure yuri-exploitation alt-history WWII exercise, but I might as well throw all pretensions to the wind and instead follow Brave Witches, the latest loli-fanservice installment of the Strike Witches franchise. Or go whole hog on that thing with girls as battleships (or is it battleships as girls?)

After Episode 9, all that remains is for clone-witch to capture and mash on Fine-hime. Then Izetta will go nuclear and decapitate clone-witch-bad-“lesbian” with a flying fire extinguisher, because we all know that’s how its done from Shojo Sect.

Feh!

I’m bored, I can’t get the Genshiken summary pieces to write themselves and the Nanashi no Asterism compare-and-contrast to Hanamonogatari essay is getting to be too long to read, its arguments too tenuous to follow. Fortunately, per recommendation of a senior blogger, I found a neato free online course on Modern Japanese Sub-Cultures, where I am making a pest out of myself (I hope not) by posting follow-up bibliography links in the class comment section. So far the instructors haven’t stomped me and I have lots of links to neato somewhat peripherally interesting academic papers from five-years of this thing.

And no, NOT spamming the course to drive readership to this site. Well behaved, I am trying to be. Learning something too. Never knew that studies of early shoujo manga had subtypes. One called “otometic” seemed to deal with ever-repeated “grow up, accept who you are and find affirmation in being your mundane self” bromides delivered to girl readers in the 1970’s and 1980’s. I suspect, given the shitty, no-happy-ending-ever nature of proto yuri tales that these old heterosexual chestnuts are being reworked in contemporary non-exploitative, sympathetic “story-A” yuri manga. Needs more research.

Meanwhile, I love how well Makoto Shinkai’s Your Name is being received, Here is a short Shinkai-produced Cram-School TV commercial that I fell in love with. A mini Your Name, minus body-swapping, all in two minutes:

Wow!

Upon a stage of sand

A status update of sorts.

sumo-web5

Soon, the last chapter of Genshiken Nidaime will show up on various grey places on the internet, with magically shooped-in english words. To say that I am feeling withdrawal symptoms already would be an understatement.

Rest assured, I will keep this blog going: the search is on for a viable approach to the continued examination of how Contemporary Japanese Visual Culture and its artifacts do so many neat things with fan desire. It is just going to get a bit bumpy as I fit new landing gear to this thing.

Meanwhile… Diversion Time! 

sumo-web4

From the 11th, on through to the 25th, the September Grand Sumo Tournament is on!

Don’t ask me how I became a somewhat-fan of Sumo. I loathe professional sports. I loathe professional sports on a visceral and intellectual level. Do not go there, Just think of everything you despise and hate, add logical arguments for your feelings plus a gut-level disgust and then multiply by a factor of as much free time as you can muster. I have lots of time.

Fortunately, Sumo is different.

sumo-web3

It is a socio-religious ritual.
No tournament, no more Sumo?
Perhaps the sun will not rise tomorrow.

This leads to a few considerations:

  1. If it is 4pm through to 6pm in Tokyo, what time is it in my time zone?
  2. Why must the Japanese Sumo Association and NHK be so freaking tight-fisted about live-streaming the tournaments? $10 a day on Ustream or a cable subscription to NHK sports, IF the local cable co has it and IF I have cable.
  3. Highlights and daily summary videos don’t cut it. It is all WHOMP when the wrestlers launch at each other and then one of them is out of the ring. No build-up, no drama, NO RITUAL! In short; it is treated like a sport. Add one more thing to the “why I hate” pile. It has to be live feed to capture the drama and the spectacle.

However, If I find that a Japanese government cultural initiative has made the live NHK feed of the tournaments available to an asian country’s national broadcaster, on the basis of that country’s longstanding interest and involvement in Sumo, and that for some reason, their web streaming service is available to me…

sumo-web6

There goes my sleep schedule.

Here’s a pile of web links:

Official NHK site: http://www3.nhk.or.jp/nhkworld/en/tv/sumo/

Good sports fan site: http://www.cibersumo.com/index.php/en/

http://www.squidtv.net/asia/mongolia/mongolia-009.html
(you’ll need a throw-away email address to reg up on the streaming site, plus Google Translate to navigate)

sumo-web1

A live Sumo tournament is a wonder to behold, even if one is way back in the cheap seats during a weekday, early on in a tournament. Actually there are no “cheap” or “seats” but you and a friend might manage to get an entire four-cushion railed-square to yourselves. Yes, you take your shoes off and don’t spill your food and drink on the carpet, please! The crowds are well behaved, except for the drunk oyagi who yell out their fave’s name and sing randomly during matches. If a high-ranking wrestler wins a difficult bout that clinches a loss-free tournament, the crowd might toss their cushions in celebration. These displays invariably only happen after the last, highest ranked match of the afternoon. Everything is usually over by 6pm.

sumo-web3

Unlike western pro sports, the wrestlers make a show of good sportsmanship, modesty and serious behavior in the ring. There is no trash talking, prima donna acting out, or cheap shots. The closest I have ever seen to a foul was what looked to me like a masterful fake-out: a high-ranked veteran, nursing an injury on his left side, faked to one side, then dodged to the other during the face-off and effortlessly face-planted his bewildered opponent with a light tap on the back. To me, it looked like a genius move but it earned the winner the vocal disapproval of the crowd and later, a warning from the association. It might be a “legal” move but it was considered a cheat to the fans, who paid to see the wrestlers wrestle.

sumo-web2

So: a holy rite. Stop with the TV coverage that treats it like a mere “sport”.

If I had the ears of the highest ranks of the Japanese government, I would beg they knock heads at the NHK and the Sumo Association, then drop a nice hefty subsidy on both in the name of tourism and cultural exchange, that the tournament feeds be made available free for a worldwide audience.

Make sure the bow ceremony at the end doesn’t get cut out, DAMMIT!

That also means showing the entire award presentation at the end of the tournament too, down to the last 40kg bag of rice and chromed tractor engine (the awards get odd, it becomes a charming form of product placement) that the lucky tournament champ has to lift to accept. I swear, I would never get tired of it.

Damn! It’s 5am!

A raid for the shippers

I am at times overwhelmed with the enthusiasm displayed by some communities in the Genshiken fandom, especially those who champion the merits of a romance between Madarame and Hato. Not to everyone’s taste, but I admire their fervor. I find it sweet.

So I couldn’t help but think of them when I ran across this “name the ship” contest.

NERCship.jpg

“The public are being asked to name the UK’s new polar research ship.

The £200m, 15,000-tonne, 128m-long vessel is being built at Cammell Laird on Merseyside, and is due to become operational in 2019.

Anyone can propose a suitable name on a special website which will accept ideas up until 16 April.

The new ship will replace the existing polar fleet – the RRS James Clark Ross and RRS Ernest Shackleton – and work in both the Arctic and the Antarctic.”

http://www.bbc.com/news/science-environment-35825264

Slash-folk and fujoshi types are supposed to be resolute in the advocacy of their “favorite ship”.

Hijinx suggest themselves.

MadaHato or HatoMada would be wayyyy funnier than the current leading suggestion “Boaty McBoatface”, although I must admit it has its own charm.

Plenty of room for MadaSue and KeikoMada in the entries too!

For low vote count entries, it is easier to just suggest the entry as “new”. The vote will then be added to the name. The site is a bit slow, it might be under heavy load. Perhaps even some script kiddies have decided to play games. Multiple refreshes eventually get through.

https://nameourship.nerc.ac.uk/entries.html

The site is open to suggestions until April 16 2016

Gambatte!

Ps.. reminds me of long ago days when trek-fans agitated until the 1st shuttle mock-up was named Enterprise. We were all so earnest back then.

Another fan survey

This blog supports research into fandom, so I will highlight any interesting research that I hear of and even suggest that you, oh gentle reader, may wish to participate in.

Ogiue bliss

This one showed up on Twitter and on the TWC site:

Help a Researcher Study Slash

Are you a reader or writer of slash fanfic? If so, University of North Texas (‘UNT’) student Allison Bradley would like your help. Allison is studying the relationship between media, slash fiction, and LGBTQ+ identity and would like to ask slash creators and consumers to take part in her survey, available online. The survey is completely anonymous and should be completed only by fans over the age of 18. Read the consent form here.

http://beta.transformativeworks.org/help-a-researcher-study-slash/

I did the survey, fanned out a bit, it took less than 20 minutes.
Survey closes March 1. Quite painless.

You probably should be somewhat into slashy fanfic, western variety, to be interested in this survey. I don’t know if fans of CJVC/ dojins and scanlations of BL and yaoi are the audence that the researcher is looking for, but what the heck. Bonus if you have tried writing some fic.

Otherwise, nothing much going on around here.

Watching Mononoke (waugh! keep the weird drugs away from the animation crew! – reminds me of the Takashi Murakami 500 Arhats show I saw in Tokyo) and thoroughly enjoying Showa Rakugo, even as I have to swat away the fluff lobbed at me by the author’s subtext popgun.

mononoke

HOLY DISTURBING IMAGERY BATMAN!
Looks like Murakami (or was it one of his superflat crew/ associates?) had a hand in the chara design for Mononoke !!!!! (1)
http://outsiderjapan.pbworks.com/w/page/9758462/Mononoke
http://www.imdb.com/title/tt2206068/fullcredits/

Awaiting an English scanlation of Genshiken chapter 120 (can’t read the Bulgarian one) to see how far overboard I fanned out. Plum blossoms are early in Japan, Early cherry blossoms are already starting to pop (they are wayyyyy too pink) and even here in the frozen North-lands, the sun is finally peeking out on some afternoons.

 

(1) Off Topic: This is a blog mostly about manga and anime, so veering off into high-church post-modernist art is a bit out of place; nevertheless, the way Takashi Murakami puts his shows together is closer to anime production than to traditional “art studio” work. It is also many levels more complex than something like Warhol’s “Factory” 50 years earlier. Add to this that Murakami hires lots of young creative people and involves them in the production process. What results is a giant “Murakami alumni mafia”, much as anime studios foster webs of acquaintance and cooperation. He also goes whole hog on media mix marketing, so you can load up on art-otaku crap at any of his shows.

Forty thousand in gehenna

It is nearly the end of the year.
JP dec sunset web

Tomorrow is the first day of Comic Market, AKA Comiket. It is fujoshi day but I’ll go anyway. My feet feel like the Turkish secret police have worked them over, so it will be both canes and plenty of Meridol. No lines for me: if I make it by 12:30pm that should be fine. Experience the rush of humanity, see some cosplay, visit the dealer booths. I am in Japan, it is the time, it has to be done. End of discussion.

Please note the freshly minted twitter link on the left of the main sidebar or visit [http://twitter.com/Mudakuntweets]. I have a data-sim plan and intend to work that little smartphone camera like a rented mule.

A shout-out to this 2008 guide to ‘Ket. At least it has a useful map:
https://ticktank.wordpress.com/2008/08/31/ticktanks-english-guide-to-comiket-part-iii-navigation/

Meanwhile Chapter 119’s raws have surfaced in the usual nefarious grey spaces, (amazing what can be done with Ctrl-Shift-I, resources, frames, images, drag) the fan conversation is getting heavy and I’m guessing that Mada has put his foot in it again. BIG TIME.

Joni Mitchell’s case of you is playing in the background…

Dr. Maniax has a most excellent summary freshly posted.
http://ogiuemaniax.com/2015/12/27/future-boy-genshiken-ii-chapter-119/

Happy New Year!

Almost wholesome

Lest the reader think that this blog is only for going on and on and on about weird Japanese manga and anime that play around with otaku and fujoshi ideas of sexuality and gender expression, plus the academics who are geeked on the same…

I’m as much of a fan of good-hearted fluff as the next fan, I too want my “iyashi“. I’m a sucker for it, even though sometimes I find it hard to turn off the difference engine. 

Lookie what is heading down the pipe:

From the same folks that brought us AnoHana, We have “The Anthem of the Heart” [https://en.wikipedia.org/wiki/The_Anthem_of_the_Heart] Get your hankies ready.

For those of you who somehow missed AnoHana, Have some Crunchyroll: [http://www.crunchyroll.com/anohana-the-flower-we-saw-that-day/episode-1-super-peace-busters-607075]

Gush! Snif, snif, snif…

Meanwhile, one of my all-time faves has made it past 100 chapters, and everydude and his girlfriend are finally going out on a date. Jitsu wa Watashi wa (実は私は?, lit. “Actually, I am…”)       [https://en.wikipedia.org/wiki/Jitsu_wa_Watashi_wa] is sooooooo cute!

As an almost-harem highschool romcom manga featuring an overload of espers, aliens and time-travellers, plus one hapless guy smitten with a half-shinso vampire girl (hick accent, ever-rumbling tummy) I can forgive the author for dragging it out for a hundred plus chapters when they haven’t even nerved up for a kiss yet. I can even forgive the vampire stuff, as they are such well-behaved, serious, shy creatures.

jitsu so cute web

However, even nice shy girls get strange feelings when they fall in love…

his neck is cute too web

His neck, his neck… What are these feelings?

Sooooooo cute!

I could burn some theory powder on this one, but screw that. You go hunt down your own IRL references to “perhaps I am…” in Tokyo, if you so care.

Another update: I Don’t Like You at All, Big Brother!!お兄ちゃんのことなんかぜんぜん好きじゃないんだからねっ!! /Oniichan no Koto Nanka Zenzen Suki Janain Dakara ne—!!?,lit: “It’s because I Don’t Like Big Brother at all, isn’t it!!”), [http://en.wikipedia.org/wiki/I_Don%27t_Like_You_at_All,_Big_Brother!!]
continues to load on the pantsu-shots along with extra-large helpings of cringe-inducing comedy. It may be a collection of tired clichés, but the way it runs them has had me laughing my guts sore on more than one occasion. And it just keeps ramping up the cringe factor. In case you missed my earlier mention of the series, fret not, there ain’t no “actual” siscon or brocon in this mess – we are being trolled. A cautionary tale of teenage male fear of real women and the dangers of excessive porn consumption. Enjoying your harem yet, ‘bro?
oniichan bro is a perv web

oniichan dad is a perv too web

Buddy Boy needs to find himself a nice sensible girl to get sweet on, and stick to like glue for his safety and his sanity’s sake. Someone level-headed, like the rotten girl who needs to dress in a guy’s school uniform and put a paper bag over her head before she can talk to him.

As usual, the anime tries too hard, too fast and screws up. Fail!

On the not-iyashi front, I’m keeping an eye open for the latest iteration of the Ghost in the Shell Arise franchise, Ghost in the Shell, The New Movie [https://en.wikipedia.org/wiki/Ghost_in_the_Shell:_The_New_Movie] which, you gotta admit, has a certain way with its branding.

As well, the Project Itoh [https://en.wikipedia.org/wiki/Project_Itoh] trilogy project looks fascinatingly dire. Of the three, the steampunk The Empire of Corpses [https://en.wikipedia.org/wiki/The_Empire_of_Corpses] looks the most promising. The last big steampunk anime that I can remember was a bit of a meh, whatever. I guess I didn’t consider the others on this list to be steamy enough.

Empire, Watson, the Great Game, a bishie zombie Friday, Victor Frankenstein, did they leave anything out?

In other news; I just used up my last Japanese curry brick pack. The temptation to run off to Japan again is overwhelming.

Bonus: No Babbage, no steampunk!

All is vanity

Since I am now able to spend a bit more time with my affairs, including this blog, I have decided to take a (whoo hooooo!) major step and get a bit more serious about the “brand“.

I started to worry about securing the name of this blog. Hearts of Furious Fancies has been around for a while now and It actually gets a bit of traffic. That doesn’t mean that I will start filling this blog with ads, but it did prompt me to pony up the $8.99/year to reg up a domain for it.

I note that a famous researcher on Shoujo manga in Japan lost his domain and now his address jumps to some pyramid scam page. I didn’t want that to happen here.

Pay up and go official: heartsoffuriousfancies.com will now bounce you here.

Or it might go to a bounce page if wordpress.com gets pissed off that I am slipping around their slightly more pricey (US$18/yr) service.

After much research and hunting around, plus testing with 2 other domains, I am satisfied with Namesilo‘s domain name service. They don’t add a whack-load of weird fees and I can figure out their control panel. They did not hike their US$8.99/yr rate for the second year. They don’t add fees for ditching them. They also mask my WHOIS info, take paypal, give you a free parking/ bounce web-page and/or allow you to set the thing up to seamlessly forward to your (this) blog. So, yeah plug for Namesilo!

By the way, If you want to help, or feel tempted to do the same thing with your blog please use my nifty coupon code HELPHOFF (in caps) to save $1.00 when you order some stuff from them (com, biz org etc regs & xfers) Good prices, lots of security extras, and even I could figure it out. I get a small kickback to help pay the rent here. Discount code good through Dec 2017.

Now I should get to work on those posts about Keiko as The Adversary as well as an examination of a neat PhD thesis in Arts Education, Lacan and identity formation in manga fans who engage in secondary/ transformative production; in short, the kind of paper the fictional First President of the Genshiken would have been working on when he faded from view oh so many years ago. Whottheheck, it has Zizek citations in it!

On the other hand, the back roof needs soffit trim work, if I don’t want critters wintering in the eves. Whew!

Next month, expect a spoiler-full review of the ancient, long ignored Genshiken light novel: The Return of the Otaku. Yup, I coughed up CA$7 on Amazon and a battered copy is wending its way towards me. I realise that the thing is odd, but it fits into my hobby-horse that Kio Shimoku is his own most ardent fanfiction writer. I had no idea that an English version had been out for so long.

And speaking of fanfiction, soon, soon, Hatozine will be out!

News Flash- Deadline extended! Moar Fic? I can wait!

“Second: due to all the travel that I’ll be doing between now and Halloween, we’ve decided to extend the deadline by a month, to November 15th. So if you missed the original deadline but have some ideas for work you’d like to submit, there’s still time, and we’d love to hear from you!” – Hatozine

I worked my brain box until it hurt and I think I came up with a tolerable submission. Perhaps they will include it. Rumour has it that other senior bloggers and enthusiasts put in submissions as well. And art-work! There will be Genshiken fanfiction! The skies will be full of ships! If most turn out to be a bit rotten, such is the nature of the process and the fandom. (Mine is vanilla and farfetched – no machine fic, promise!). I hope the explosion in Genshiken fic warms the hearts of fans and perhaps even the heart of the elusive mangaka.

Forward!