This blog supports research into fandom, so I will highlight any interesting research that I hear of and even suggest that you, oh gentle reader, may wish to participate in.
This one showed up on Twitter and on the TWC site:
Help a Researcher Study Slash
Are you a reader or writer of slash fanfic? If so, University of North Texas (‘UNT’) student Allison Bradley would like your help. Allison is studying the relationship between media, slash fiction, and LGBTQ+ identity and would like to ask slash creators and consumers to take part in her survey, available online. The survey is completely anonymous and should be completed only by fans over the age of 18. Read the consent form here.
I did the survey, fanned out a bit, it took less than 20 minutes.
Survey closes March 1. Quite painless.
You probably should be somewhat into slashy fanfic, western variety, to be interested in this survey. I don’t know if fans of CJVC/ dojins and scanlations of BL and yaoi are the audence that the researcher is looking for, but what the heck. Bonus if you have tried writing some fic.
Otherwise, nothing much going on around here.
Watching Mononoke (waugh! keep the weird drugs away from the animation crew! – reminds me of the Takashi Murakami 500 Arhats show I saw in Tokyo) and thoroughly enjoying Showa Rakugo, even as I have to swat away the fluff lobbed at me by the author’s subtext popgun.
HOLY DISTURBING IMAGERY BATMAN!
Looks like Murakami (or was it one of his superflat crew/ associates?) had a hand in the chara design for Mononoke !!!!! (1)
Awaiting an English scanlation of Genshiken chapter 120 (can’t read the Bulgarian one) to see how far overboard I fanned out. Plum blossoms are early in Japan, Early cherry blossoms are already starting to pop (they are wayyyyy too pink) and even here in the frozen North-lands, the sun is finally peeking out on some afternoons.
(1) Off Topic: This is a blog mostly about manga and anime, so veering off into high-church post-modernist art is a bit out of place; nevertheless, the way Takashi Murakami puts his shows together is closer to anime production than to traditional “art studio” work. It is also many levels more complex than something like Warhol’s “Factory” 50 years earlier. Add to this that Murakami hires lots of young creative people and involves them in the production process. What results is a giant “Murakami alumni mafia”, much as anime studios foster webs of acquaintance and cooperation. He also goes whole hog on media mix marketing, so you can load up on art-otaku crap at any of his shows.