“…She said in a poised voice…”
There are a few things that commend the BL (Boys Love) genre to its creators and traditional core audience that madden the outside observer. Why can’t fujoshi just be satisfied with regular heterosexual pr0n? They could amp it up with more romance or schmexy and even change the characters so that they can act freer from societal restrictions; why do they have to use shadow-of-gay-men characters to act out their prefered bodice buster pulp fictions? If the characters are guys, why make them sometimes – but only sometimes – follow a strict formulaic script that ill-fits the bodies and what anyone who cared to ask would find out about IRL (In Real Life) guy:guy sex? Why does one subset of the genre insist that the story is far more emotionally poignant and melodramatically overwrought if neither of the two characters considered themselves “gay” before their fateful encounter? Does the problem with the BL genre lie mostly within the yaoi sub-genre and does yaoi even exist any more?
WARNING: Adult themes and over-consideration of traditions of Japanese cartoon intimacy, including sex below the cut. Part 2 of x essays on limitations within Japanese vernacular visual narratives depicting intimacy. Snark. Some spoilers.
Work-in-progress warning: This series is under construction and as the sections shake out, I may return to this and other sections and mess with stuff. Hit refresh if returning. I’ll remove this when it feels done and dusted.