I am still reading Azuma’s Otaku and I think it is time for a sharp corrective, or at least a counter-view: If we dispense with the grand narrative vs. petit recits cant, and the legends of the fall of post-war Japan and take the view that appropriation and misreading are central to the consumption and exchange of texts in modernism, then we can see otaku culture in a less damming light.
We can also make sense of the way “Japanese visual culture” romps through euroethnic cultural and religious mythologies with such spirited abandon, and steals anything not nailed down.
Shrine Maidens with witches brooms? WTF not! Why not throw in a few mini-skirted nuns locked in battle with vampires, while Jesus and Buddha try to find a decent veggie pizza in Tokyo ???? This kind of fun has been going on since Lucian and Rabelais – and the gatekeepers hated them too! (Ya didn’t think the Villon quote was all HST did you.. I’ve read Villon, and Pantagruel, and Lucian’s philosopher slave market, and…)
“The Logic of Modernism,” Flash Art January-February, 1993