Watashi Ga Motete Dousunda and the Secret Life of Hato Kenjiro – guest essay by asandyrabbit

Genshiken Dropout‘s asandyrabbit considers Kiss Him Not Me, fujoshi socials and harems, Genshiken Nidaime/ Spotted Flower and the power of the One True Pairing.
I hope you enjoy it as much as I have have enjoyed working with them to bring it here. Be sure as well to visit their blog for the companion essay ‘I an Hato” (link below in notes).

Watashi Ga Motete Dousunda / Kiss Him, Not Me!
Comedy, Reverse Harem, Romance, Slice of Live, Shoujo
Junko (2013 —)

(Also you better bet I am talking about Genshiken and Spotted Flower. Spoilers for all three series.)

I cannot wholeheartedly recommend you watch or read Watashi Ga Motete Dousunda— it’s kind of just bad in a lot of ways. It’s a mashup of generic shoujo tropes, typical reverse harem stories, and it just looks worse than its competitors in the reverse harem market. However, it unintentionally hits on a lot of points regarding Fujoshi Culture and through this, one can find way more character depth than really was probably intended in one of the members of the harem. Here’s how.

Serinuma, the girl at the center of the reverse harem, is a through-and-through fujoshi under the specific definition of “A woman who likes BL” (as opposed to a generic term for a female fan of anime / manga, as I have seen some people use). There are not many fujoshi in anime, and only a few more in manga. When you look at most of the titles, though, Genshiken, Fudanshiism, Mousou Shoujo Otaku-kei, Tonari no 801-chan, Ruriro no Yume, the number of manga written about fujoshi that are by fujoshi is rather small, and those that are less well-known.  This means that the majority of portrayal of fujoshi is not by fujoshi at all— in fact, often times it’s a male perspective of fujoshi, writing fujoshi characters from what they see on the outside. There are a lot of assumptions that must be made about what fujoshi actually do, since it’s kind of secretive a lot of the time, and, again, most of these stories about fujoshi are not actually written by fujoshi. The few exceptions, Fujoshi Kanojo, Fudanshi Koukou Seikatsu, etc, put greater priority on non-fujoshi characters (though in the case of Fudanshi Koukou Seikatsu, the fudanshi largely just act the same as fujoshi would but they’re male so you can ship them).

Watashi Ga Motete Dousunda is then one of the first manga and then anime written by a fujoshi, with a shoujo and fujoshi audience in mind, featuring and focusing on a protagonist who is a fujoshi. This is special because it can be seen as the author giving a role model to the audience of what a fujoshi is and what fujoshi do. It’s the first time I have seen a fujoshi protagonist in a role the audience is supposed to relate to, and it’s good to see her being a fujoshi is influential upon the plot beyond “Oh, look at this weird thing that she is.” In cases like Fujoshi Kanojo, et cetera, the girl who is a fujoshi is that way just as a way of defining her personality, with its influence on the plot limited to “Oh she’s weird so I have to get used to her being weird.”

The idea of fujoshi rejecting romance in favor of BL has been hashed and rehashed to oblivion, but usually it’s more from a perspective of “I value my BL more than romance.” Watashi Ga Motete Dousunda is the next logical step in this— Serinuma acts like she values her BL more than romance, but in reality she’s afraid of going out with a guy. So why not have her go out with a girl instead? After all, fujoshi are virtual lesbians, guys! Haven’t you read Akiko Mizoguchi’s Male-Male Fantasy Narrative as Women’s Sexual Subculture in Japan yet? At least you remember when Patrick Galbraith mentions that some fujoshi identify as lesbians because of their sexual connection to one another in Fujoshi: Fantasy Play and Transgressive Intimacy among “Rotten Girls” in Contemporary Japan! Come on, get with the times already. I highly doubt Nishina, the lesbian in the reverse harem, was made with the intent of commenting on this idea, but with the understanding of fujoshi as virtual lesbians, Nishina’s relationship with Serinuma becomes much more complex.

When Nishina first invited Serinuma over to her house, there was an implication of Nishina making a move (hence why the boys all interfere) while she was there, to bridge the gap between virtual lesbians and literal lesbians. This transition is much easier for one to make than from straight to lesbian, since there is a pre-existing quasi-sexual bond between the two. Had Nishina and Serinuma not been fujoshi but just regular friends, Serinuma may have still accepted the invitation, but she would not have been so willing to demonstrate to the boys how to pose for their BL photo shoot. It’s the implicit bond of “We’re fujoshi, therefore we can talk about sexy things,” that makes this so easy for Nishina to make advances the way she does. Add to this the predisposition Serinuma has toward rejecting they boys’ advances because she’s a fujoshi— she would rather watch them fuck each other than fuck them herself, and Nishina presents herself as a painfully obvious resolution to the harem within a couple of volumes. She’s the only one who Serinuma can be with without taking away from people Serinuma can ship (Well, you COULD ship your boyfriend with other guys while in a relationship, but you may have noticed how Ogiue’s attention on SasaMada seemed to decline the more she realized her attraction to him). The farthest extent one can go in denouncing all men so they are left available to ship is by being a lesbian, which is precisely what Nishina represents.Wait a second, did Nishina just confess to Serinuma in the sixth episode of the anime?

Oh shit! She did. In the manga, this mini-arc was structured after the scene where all the members of the harem confess all at once, but in the anime, the full harem confessing is at the end of the show and Nishina is in the sixth episode. So in the manga, when Nishina says, “I love you senpai!” it is simply restating what we got a couple of chapters ago. But in the anime, Nishina’s beaten everybody to the punch by six whole episodes. Now her advantage is not only the first kiss, but the first confession. So Nishina wins the harem, right? Wrong!!! Here enters the trials and tribulations of any good generic harem show and… you know, why the fuck did Sue win the Madarame harem because she confessed first, but Nishina hasn’t won the Serinuma harem???

This is bullshit!

So, what happened? Why hasn’t Nishina won? Why is everybody in the harem so freaked out about Mutsumi attempting to confess to Serinuma in episode 11? Is it really just because the anime team did a stupid panel-by-panel adaptation of the manga without consideration to these things, or is it something more?

Nishina made it clear from the start that she was interested in getting some sweet sweet fujoshi alone time with Serinuma, but ever since then her interactions have been so platonic. The only exception to this was in the episode where Igarashi refuses to let Nishina sleep in the same room as Serinuma (and even here a character other than Nishina is reminding the audience that Nishina’s aiming to be more than just a fellow fujoshi). So why is it that after Nishina confessed to Serinuma, she seems to be falling behind the others as more of just a fujoshi buddy to Serinuma?

Dismiss this as a result of poor structuring by the people making the anime, but I like to believe there is something else going on, something that gives Nishina a level of depth far beyond any other character in the series:

The fujoshi zone.

The only explanation for how Nishina confessed to Serinuma, but everyone freaks out about Mutsumi attempting to confess five episodes later, is that Nishina’s confession was only as a friend, or rather, as a fellow fujoshi. When Serinuma describes Nishina, she calls her a soul mate. Not friend, not lover, but soul mate. This enters a nebulous gray zone (we’re kindred spirits, so claims Chiba Saori of Hourou Musuko) of not-quite friend, not-quite romantic interest. This is much like the realm that fujoshi occupy with one another. The bond created by virtual lesbianism is stronger than typical friendship —after all, most friends don’t comfortably chat about their sexual fantasies with one another— but it still lacks something from a typical romantic relationship, and that is the direct interest. One’s sexual fantasies are filtered through BL rather than directly stated to one another. It’s not quite having a partner, rather, it’s more of a formalized communal experience.

When Serinuma is on the date, she claims Nishina is “fun to be around.” There is no mention of an actual romantic interest, or her own personal fear thereof that she experiences with all the boys. Meanwhile, on Nishina’s side, this should be an opportunity for her to show all her love for Serinuma, which she 100% nails in the setup. A romantic cruise, fancy clothes, a classy plane flight. She even makes it partway into her pick-up after introducing her probably-rehearsed line about the plane itself. “When I see such beautiful scenery…”

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We wait in anticipation. Here is where Nishina gets serious! She’s showing her love for Serinuma that has been weirdly absent for the past few episodes!

…And then we get discussion of yaoi pairings. Dammit Nishina! You were so close.Nishina had the crutch of virtual lesbianism to get close to Serinuma before any of the boys could, but now she has found herself unable to stand without that crutch. Serinuma’s continually reinforced her love of Nishina as a fellow fujoshi, a virtual lesbian, and not as a romantic interest, and Nishina’s found herself unable to remind Serinuma of her actual interest. Nishina is ignoring her romantic interest in favor of having a fellow fujoshi friend. So, while in Nishina’s confession to Serinuma in episode 6, she may have been trying to express her romantic love, it comes off as nothing more than a token of their close friendship, their fujoshiship.

One could argue that any harem is built around boxing oneself into the friend zone, but quickly Igarashi brings Serinuma to understand he’s not there to just be her friend, and the others soon follow suit, except Nishina. (1) Each of them go on the dates with Serinuma, and, even if they seemingly do not succeed, everyone but Nishina is going for the romance. But the moment that Nishina has a romantic line ready, she chickens out and turns it into an excuse to talk about BL. It’s not a case of obsession or of miscommunication, it’s a case of Nishina boxing herself into the friend zone, or rather the fujoshi zone, ever since the fallout over their reversible pairing argument. She had plenty of opportunities besides the date in the last episode to make a move on Serinuma— they spent an evening in the hot spring together, just the two of them. Hell, given how much they talk about conventions and BL and how buddy-buddy they are, surely they visit Otome Road together, just the two of them. It does not make sense why she would not have made a move already, unless it’s the fact that Nishina’s too afraid to express her legitimate romantic interest in Serinuma out of fear she will lose the bond of fujoshiship they already have.

We can pinpoint the exact moment where things change. In episode 6, her original intent was to assert her superiority as a fujoshi and cut ties with the BL side of Serinuma, meaning she can pursue her as a romantic interest exclusively. But she realized that hurting the BL side of her relationship with Serinuma would hurt her chance at romance, so she was stuck doing the only thing she could: not interfering at all with her connection to Serinuma as a fujoshi, and hoping that she could pursue romance as well. But, because of this, and because Serinuma reinforced their connection as fujoshi and pushed away their connection as lovers, Nishina found herself growing comfortable with just being buddies. She got close to Serinuma by being a fellow fujoshi, but she was also ultimately distanced from Serinuma by being a fellow fujoshi. So ultimately, Nishina becomes stuck as purely a virtual lesbian— stuck in pure fantasy.

This of reminds me of another harem arc wherein the only same-sex character is able to get closer than the other harem members because of their connection through those means, but their ultimate downfall is their inability to escape from fantasy. It’s almost like the reason I’m so attached to having Nishina win the harem is as a way of making up for Hato losing the harem in Genshiken! The ultimate difficulty Madarame cites in dating Hato is that Hato is too obsessed with fantasy; so much so that they can’t just accept the possibility of romance at face value and go with it. The closest bonding experiences with Madarame that they had were often the most real— when the two of them talked as just friends, or when Madarame was so impressed by the simple gift Hato gave him of homemade chocolates on Valentine’s Day.

Ultimately, Nishina and Hato have the same downfall— their inability to escape fantasy and enter the real world, and have their romance with their crush as sincere romance. Originally I was hoping Nishina would succeed where Hato failed— after all, Nishina’s got a leg up on Hato by being able to be virtual lesbians with her crush, rather than just otaku buddies. But I was mistaken. The problem from before is the problem now.

This is the fujoshi zone. (2)

Wait a second, it seems like I’m forgetting something here. Hato… Madarame…. Maybe there’s an alternate universe set several years in the future wherein Madarame and Hato actually fuck?

No way. This can’t be happening. Miracles don’t just happen. I have to be dreaming! Kio has to be making it in a dream! But… if it’s real, what could this mean?

If, in Genshiken, Hato was ultimately defeated by their fantasies, Spotted Flower’s !Hato is reunited with !Madarame by their fantasies. They even say themselves that they’re remembering another dream from the college days— one where !Madarame (or is it the Genshiken’s Madarame?) is the sou-uke. Only because of their ruthless perseverance to make !HatoMada reality are they, years in the future, able to steal from !Sasahara !Saki !Madarame’s anal virginity (after giving their own, mind you). It is like the answer all along was that if you hold on to your fantasies and dreams for long enough, they will become reality. It’s almost like my fantasy for HatoMada to become reality was answered, as was theirs! It’s almost like… I am Hato! (3)

So, what does this all mean for Watashi Ga Motete Dousunda? Can the recent development in Spotted Flower foreshadow a conclusion to the Watashi Ga Motete Dousunda harem? Are all the basic bitches who want Igarashi to win sadly mistaken under the notion that Nishina’s just a boring-ass lesbo fujoshi? If Nishina was to be Serinuma’s answer, then everything would fall into place. Her arc would conclude by being able to show her affection for Serinuma, not only as a fujoshi but as a lover, and we would all have a happy ending.

Ah, shit, I’m kidding myself.

We got !Hato and !Madarame to fuck once, but it’s far from the point of !Madarame divorcing !Saki, giving her the child support, and taking !Hato as his new lover. Hell, we’ve gotta take !Yajima out of the picture too. (4) I’ve just had a year of intense sadness and disappointment over the regrettable conclusion to the Madarame Harem only to find endless joy in seeing Hato and Mada really do it in each others’ butts. Maybe you can’t handle that kind of thing because it’s too gay, so let’s put in your mind this instead— Hato and Madarame fucking in Spotted Flower is good indication that Nishina and Serinuma will fuck, and straight guys looove them some yuri, amirite?

I do think that is something to explore: How is the yuri-potential in Watashi Ga Motete Dousunda affected by being written for girls versus for guys? There is definitely a difference from what you see in general yuri manga. The girls’ ones focus much more heavily on interpersonal connections, friendship, often more clear gender roles, often including the influence of sexism, whereas the guys’ ones are more about there being a couple of cute babes having sex and being cute together.

Knowing though that Watashi Ga Motete Dousunda was drawn by a woman, could it be that Nishina’s actually not a loser, she was just drawn that way? After all, it’s only after her and Serinuma have had their struggles and dissatisfaction with one another (fallout from the “Akane x Lord / Lord x Akane” debate (5)) that they can begin the path to more than just friendship. We’ve got the gender roles— Hell, Serinuma mistook Nishina for a boy when they first met. We’ve got the fast start with a kiss, followed by the period of uncertainty. Has all of this just been a ploy by Nishina to get closer than ever to Serinuma? Nishina has developed her connection with Serinuma to the point they two are unbreakable, so Serinuma’s connection must therefore be just as strong. How are any of the boys supposed to interfere with that? Maybe it isn’t Nishina in the fujoshi zone, but Serinuma, and Nishina is the patient (not predatory guys! Predatory lesbians totally don’t exist in yuri, I’m sure Junko the BL author knows that and will give a very consensual representation of same-sex relationships) lesbian waiting for the right time to make a move. Now that would truly reflect Spotted Flower— !Hato’s insistence was met with flat rejection by !Madarame, but when !Madarame is weak and lonely, now he finds himself reminded of the possibility. Shit, it seems like Nishina has a plan! All we need is for Junko to follow through on it.

Wait, what? I’m getting new information from my sources… it seems that the harem is over, and Serinuma hooked up with Mutsumi?

Heh. Sure, go ahead and believe it, ye most gullible of folk. I think we here all see the writing on the wall. We all know the truth now. Nishina is the only one for her— there can be no other. We may have Serinuma and Mutsumi in the main canon for now, but just you wait for the sequel. Just you wait! Serinuma will be through with that boy before you know it. You all expect me to believe Serinuma’s going to be upset about her newfound boyfriend getting it on with another boy? This is just a thinly veiled expression of her dissatisfaction with their relationship. If !Yajima will let !Hato go for the sake of fulfilling their BL fantasies, then you can’t convince me Serinuma, who easily exceeds the passion for BL of !Yajima, would be against seeing her man get it on with another man. I don’t buy it for one second. Just a few volumes earlier she was shipping him with the shota-bait! I’m all for character development, but I’m not buying that she can possibly be dissatisfied with this turn of events. And then for Mutsumi to ask her which she prefers: her waifu or him. The gall! If she seriously answers with him, I’m going to be done. Junko, you’ve turned the moral of the story into, “Being a fujoshi is bad! Get a boyfriend, get married, bear his children, and forget about your life as a virtual lesbian.” I may not know Junko the person, but I do know she’s written some well-respected BL. She’ll see the only possible outcome here. Serinuma’s going to break it off with this Mutsumi bitch and FULFILL HER DESTINY WITH NISHINA! FOR THE FUTURE! FOR BL!

FOR HATOMADA!!!!!

— asandyrabbit (asandyrabbitblog.wordpress.com), October 25, 2017

Footnotes:

1: …And Mutsume. This is one of the arguments I see people saying for why Mutsume is the best option, because he treats her as a friend, blah blah blah. Yea, I’ll give you that point. He’s certainly a believer that lovers can be friends too. But what makes for a better friend, someone who’s just ordinarily kind, or someone who has much of the same generosity but also is much more relatable? I don’t think there’s a right answer to that, but I do think there’s a right answer to Mutsume vs Nishina. Come to think of it, maybe the reason people don’t consider Nishina to have the same attitude of “lovers and friends” that Mutsume has is because she’s a girl? Like, maybe people naturally assume they’d be friends before lovers— all lesbians are, right? Let’s ignore the “lesbians rent a U-Haul on the second date” stereotype. Nishina definitely has a different kind of kindness from Mutsume, I would say though. Mutsume is more focused on simple human compassion and empathy, whereas Nishina is more focused on just spoiling Serinuma to her heart’s content. Perhaps Mutsume’s attitude is better since it’s more of an emotional equality, but in the long run, what we would likely see is Serinuma grow accustomed to Nishina’s luxurious lifestyle, thus making them equals in that regard. Perhaps as well then, Mutsume and Nishina are largely doing the same thing, and the difference in their actions is the result of socioeconomic differences? Shit! This should be its own post.

2: I have a series of six posts on Watashi Ga Motete Dousunda which everything up until this point is a compressed version of. If you decide to check me out you can skip those posts.

3: https://asandyrabbitblog.wordpress.com/2017/10/24/i-am-hato/

4: Well, maybe. Perhaps !Madarame will see the real American dream: getting a threesome, and he’ll be convinced to marry both of them. Harem all over again! Wait, shit. If !Yajima agreed to that, then we really would have a harem. I don’t know where !Sue lies nowadays, but I’m sure !Angela would still be plenty willing to give him a good fucking. Add in !Saki and we really do have another harem. Take that you normie bitch! Who’s lusting after who now, huh? Oh, I guess she already was anyway.

5: …of which I have to heavily disagree with their resolution. Akane x Lord is obviously the right answer, which, knowing Nishina to be the bright young lady she is, makes me assume she agreed to reversibility for Serinuma’s sake. No, this isn’t a reversible pairing, not with such distinctive roles. Akane is clearly the protective top. Hell, he transforms into armor for goodness sake. Can’t get more protective than that. He’s the one to make the first move of transforming into the armor to save the Lord. Plus, sticking with traditional roles, the lord would be the slimmer, more delicate, feminine one from a life of leadership, as opposed to the stronger, more masculine Akane. If you have Akane as a top, there’s such good potential for drama— the jealousy over the Lord’s concubines, as is implicit in his nature as a protector, the dashing saving of the Lord from sticky situations with his transformation (and getting the Lord into other sticky situations, NAWMSAYIN?)… it goes on. I’m a fan of reverse pairings, so naturally I would be interested to see how Lord x Akane would turn out, but you have to admit that the natural order is Akane x Lord.

Referenced material:

Akiko Mizoguchi – “Reading and Living Yaoi: Male-Male Fantasy Narrative as Women’s Sexual Subculture in Japan” [https://urresearch.rochester.edu/institutionalPublicationPublicView.action?institutionalItemVersionId=5822]

Patrick Galbraith –  “Fujoshi: Fantasy Play and Transgressive Intimacy among “Rotten Girls” in Contemporary Japan!”
[http://www.academia.edu/3665371/Fujoshi_Fantasy_Play_and_Transgressive_Intimacy_among_Rotten_Girls_in_Contemporary_Japan ]

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Spotted Flower Chapters 22, 23: les etrangers

Spotted Flower Chapters 22, 23
Kio Shimoku
Rakuen Le Paradis, Vol 24, June 30, 2017

WARNING: Spoilers ensue. Methodical, theory-sodden clinical speculation on cartoon man-sex scenes and grating 4chan excerpts below the cut line.

 

Continue reading

Spotted Flower Chs 22-23

What the hell just happened?

Do you have any idea how difficult it is to interpolate Italian text, when you only know French? That said, some of the more impatient fans across the pond have applied their arts and their passion to chapters 22 and 23 of Spotted Flower.

That sure didn’t look like a dream sequence? What happened?

Oh My! What fools.

Many Happy Returns: Spotted Flower Ch 20.5

Will Spotted Flower become Genshiken Sendaime?
Spoiler lamp is on for Chapters 20.5-21.5(?)

The latest English scanlation of Kio Shimoku’s Spotted Flower has surfaced. Chapter 20.5 is just plain wunnerful. It has been less than a year since the Genshiken ended and it looks like Kio Shimoku is getting busy again. Our win; we get 16 pages of alternate-universe, ten-years-later fujoshi fanning; starring a recognisable genderbent ero-dojonshi-mangaka and their manager, plus a new character (their editor for their commercial output) and some old friends at Comiket. Kio-sensei packs a lot into those 16 pages, along with the an overload of boobie jokes.

A brief refresher on Spotted Flower. Because of its publication in a different magazine, owned by a different publishing company, Spotted Flower could never be an “official” follow-up to Genshiken. Contracts and intellectual property issues. “The Secretary will disavow any knowledge of your actions…” Unofficially, Spotted, which has run for 7 years of three-times-per-year shorts, most recently as a regular in Hakusensha’s Adult/ Josei Rakuen Le Paradis magazine (and later collected into 2 tankobon volumes) has always served as Kio-sensei’s personal AU (Alternate Universe) fanfic and spinoff of his Genshiken. With the source story ended, Spotted is free to seek its own destiny. I hope that the mangaka and the magazine are thinking about permanently expanding the number of pages for each release; becoming in effect a full series. A web and Twitter search has turned up news of further larger chapters. 14pps in the March 2017 volume 23 of Le Paradis. Volume 21 carried the baby naming chapter 20.

The upcoming Volume 24 of Le Paradis threatens to release 28pps + 4 bonus pages (ch 22?) on June 30 (2017). See: http://www.hakusensha.co.jp/rakuen/vol24/

Spotted Flower chapter 21 looks like the old gang visiting the new parents. As well, alt-Hato’s editor is about to find out more about her rising star BL auteur. We will have to wait. The 0.5 numbered chapters are devoted to alt-Hato and alt-Yajima, the whole number ones to the happy couple.

A few oblique observations on Spotted Flower:

Boobies as text:

Kio-sensei knows that guy otakus like boobies and uses them as signifiers for “sexy” and “womanly”. Sometimes one would prefer that he spend more time on the entire character rather than mashing the boobie button. He spends far less time on say, legs, butts or curvy hips (though alt-Hato, following perhaps on the Nidaime anime, has been given an impressive silhouette). When he bothers, his adult, especially adult female body chara renderings are varied and respectful – especially for larger frames. As well, he can deploy incredibly nuanced facial expressions to depict emotion. But those boobies! Alt-Ohno’s overdone nursing breast explosion. Alt-Hato and Alt-Sue’s assisted developments. Breast size is also marked as one of the stereotyped things that female socials are supposed to natter on about and rank themselves /display envy about. For a mangaka who inventively and respectfully depicts different body types, especially women’s body types, this trick feels like a throwback or at least a concession to an earlier form of stupid, easy service for Chads.

The entire Sue the pettanko western girl doing exploratory feels of well endowed Japanese women joke – which had gone on for years – is a reversal gag on a hoary manga/anime fanservice trope. It might even have slipped into reality. A friend reported that it happened to her for realsies in a women’s public bath in Korea but any envy/competition reading strips off complex layers of social interaction within the act: “Oh look a foreigner in our bath. How do we break the ice? This will be something to compliment her on, talk and laugh about and thereby welcome her into our social.

Nope, just competition and jealousy in the hen-yard. Fail!

Angela Burton(!) The sleep-over at Yajima-san’s parents’ house. And now, alt-Merei’s tender service to her lover interrupted by alt-Hato’s (at first impression) idiotic blundering question. Add to this all the Madarame-sempai interaction: “I have no breasts”(!) from Hato. Sue feeling under-endowed and therefore somehow inadequate in his eyes. While Mada might mutter to himself that it’s no big deal; lolicon, otokonoko games, etc., he neglects to open his pie-hole, announce the point and set worries to rest. Mada=otaku. Otaku=boobies want. A simple equation; the burden of more personal, more fraught exchange avoided.

Boy Detective.

Genshiken Nidaime turned on the character of Hato Kenjiro, the boy who wanted to be a fujoshi. Not a Fu-Danshi but a fujoshi. From this ridiculous conceit, everything he has (been written, etc) done followed naturally. And so continues to follow alt-Hato.

I though BL could make everything come true.

Fer krissakes! Unreliable narrator is unreliable! Google is your friend. Science can’t do that yet. If it could it would kill you and besides, an ero-dojin-mangaka could not afford it. Still, this kind of foolish banter is perfect and poignant for the worries it lets slip. Folks are growing up, settling down, having kids. Sempai is a father?!? Note the obvious (fertile, clock ticking, ticking) unsaid in the room. Nope! Didn’t notice it at all, La La La. Poor alt-Merei, like she needs another handful.

My thanks once again to long-time correspondent B.Sellers for not only giving me the heads up about ch 20.5 hitting the sites but for citing the venerable 90’s manga Family Compo in the report.

The problem of course lies squarely in the lap (ooops, yeah, but for now lets stick to metaphor) of alt-Hato’s (and their creator’s) unique vision of genderqueer. Whether to avoid drawing the attention of IRL tojisha folks or to grind off the serial numbers and avoid a trace-back conformity audit to source material, alt-Hato remains a “mostly” cis-gendered, heterosexual male person who does not think that they can “be” a woman. A Fujoshi? Perhaps, and fujoshi is all that Hato (and alt-Hato) ever dreamt of being. This of course is extremely problematic but Japan (and the mangaka) pretends not to worry about such things. It is possible, along the furthest edges of considered western non-binary, genderqueer activism to respect this dream. Hato will be Hato. Fuck everyone’s categories and nasty self-serving infra-tribal battles. Queer is as queer does. Leave the ero-dojin-mangaka alone.

Until editor-san finds out.

“If the fujoshi ever found out I was a guy…”

What a fun plot twist! As a dojin artist, alt-Hato could remain as anonymous as they wished. You can hide all manner of participation within a “dojin circle” Going pro means entirely different levels of public accessibility and interaction. The editorial staff are the first hurdle. Then come interviews, signings and publicity. Kio-sensei knows all about these challenges; his nom-de-plum and his standing plea to his fans to only photograph his hands can serve as inspiration. A booth at Comiket need only feature a someone or two, perhaps wearing the ubiquitous Japanese allergy/cold mask(s). Once in the spotlight, the pressures on alt-Hato to conform to ancient and annoying Japanese stereotypes of public behaviour for persons with ‘deemed male at birth’ bodies who present as female would be intense. Alt-Yajima’s “Host of a TV Entertainment show” suggestion and alt-Hato’s “No Damn Way!” must be considered in the light of the Japanese entertainment industry’s past ‘use’ of such.

Going public would again open up the confusing question of sexuality, this time on a far more dangerous stage. Crossdressing + breast enhanced guy BL ero-mangaka? Must do guys, right? Likes girls, or one particular woman? This is confusing – wouldn’t that be Yuri? The situation is as troublesome but not identical to all manner of internal shit-fights within western activist feminist and trans communities. Those controversies have been ongoing for decades. Japanese practice removes much of the heated activist controversy and replaces it with brutal commercial objectification and exploitation. “New Half“? “Okama“? “XXX Resbian Sex Secrets“? Crossdressing Gay Actor“? [https://en.wikipedia.org/wiki/Akihiro_Miwa] “Hard Gay“? [https://en.wikipedia.org/wiki/Masaki_Sumitani] An ero-mangaka can keep one foot in the exalted realm of “the author”; the man or woman of letters; Nihon Bunka — Japanese Culture with a capital C. …Even as the other foot dances along the edges of “the floating world”. The latter might float but it always was and remains brutal.

Alt-Hato as a trans-fujoshi virtual lesbian might work as a manga character. For Hato Kenjiro’s creator, the character served a number of useful functions, including testing the limits of support and accomodation that a “good fan club” and a fujoshi social could offer. Let’s run the setup once again and see how it could be adapted to the meta of a character that is an “out” genderqueer ero-mangaka:

Women enjoy BL and Yaoi even though the tangle of fictional, sexed bodies excludes representing them. Numerous women who like women share in this enjoyment, even at one further remove from IRL desire. Within the Genshiken/Spotted Flower verse, the old line explanation of BL/yaoi as a pure fantasy of desire and romance holds like an absolute game engine rule. Why should Hato/alt-Hato have to desire 3D guys just because ze enjoys women-written fantasies of guy-looking characters fucking? Sex with a 3D guy for Hato and or alt-Hato is a non-playable character, even if the Hato continuum has built their lives around the enjoyment and then connoisseur-ship of fantasies of such intimacy. Therefore it is not improbable that Alt-Hato likes girls, either as residual straight guy or virtual lesbian fujoshi. Mada always was part of the fantasy. As “the only man I’ll ever…” he remains so. The only loose end would be the ero-mangaka’s 3D immersion/ performance/ commitment to the romantic ideal of the genre. Does this mean that alt-Yajima has put on a public “butch” or “tachi” persona? Family Compo Redux!

It could be more complicated; the Genshiken could have had furries.

Oh snap! Scrag the furries jokes! This is serious! it is all fine and fun to speculate on well-worn story tropes in Japanese anime, games and manga. And then to speculate how to cookie-cutter these into a manga. Behold the violence of the database. In meat-space the way trans/ gender-nonconforming folks are represented can hurt. Can be complicit in real harm: even more so than most obnoxious fictional otherings. The kind of things that authors, readers and societies have to learn not to do any more, if only because we now have better, more exciting and more nuanced replacements for these chestnuts.

Kio Shimoku created a complex character who only wished to expresss as a female subjectivity within the context of fujoshi fandom, for a number of internal story-mechanics reasons. Now a reflection of that character re-appears and they (are written, etc.) have built their entire life around living in that fandom and presenting as a woman. Kio-sensei may in the future have his character self-identify as a transwoman, a  transwoman who is a fujoshi or even the improbable idea of a trans-fujoshi. Or as something else. What interaction alt-Hato now has with anyone removed from their immediate circle of aquaintances is either as an anonymous female person or as a (gendered as female) fujoshi-ero-dojin-mangaka. The character remains fraught with internal contradictions – why shouldn’t they/ their character be given the space to breathe within them? Can Spotted be both libidinised low comedy and aspirational fiction?

I can only hope that Kio-sensei does not “reveal” the initial impetus for both alt-Hato and alt-Sue’s “urge to augment” as fallout from comments by a very dense alt-Madarame who brushed both of them off for being flat-chested. Note to Kio Shimoku: Please Do Not Go There. Even Madarame’s legendary and insufferable “spineless perv luck” has limits. I remain puzzled by why either of them would bother with augmentation. A ridiculous rack is a pain in the back – for life. Any of their women friends should have (been written, etc.,) told them this on numerous occasions. Boobies remain problematically over-inscribed in Kio’s story-worlds.

The Strongest Fan

Sue Hopkins and her alt-Sue incarnation has always carried within her character a large measure of inscrutability. The outlander woman fan/ fen as Force of Nature. Purposefully opaque. Trouble with capital T. Ariel the magical spirit. Her lore is deep, her reserves of magic yet to be revealed You saved my life so I will save yours 3 times, then go my own way. In the meantime she observes, prods, samples, tastes and gorges on experience, even as nothing touches the core of her being. None shall ever know moi. Were she native Japanese the mangaka would turn her into another Benzaiten manifestation.

Impatient. Unconcerned with social mores and prescriptions. Beyond good and evil. Grabs boobies.

Poor alt-Hato! While alt-Sue is a good-looking woman (character), it is not her bod and new tits that make her attractive. She radiates. Anyone would… And so alt-Hato lets slip his clumsy insecurities. This was wonderfully handled, even as the poor jerk reveals his fears and delusions. Yes your manager loves you… Asshat! Lookie at all the up-with-you-put she has to lavish upon you and your misbehavior. Yes, you are massively dependent on her arts and her charms.

Don’t fuck up!

Nope: your mad genderbent lurv skillz have not turned her into a lesbian despite your new tits, stylish wardrobe and constant rotten-girling. That means that at least for now, she is not going to throw you over for alt-Sue, even if alt-Sue is amazing. All this may carry a crude whiff of some idea of virtual-lesbian fujoshi-dom, even as it denies any same-sex desire by alt-Yajima. Whatever. Women in Japan, regardless of inclination still get stuck carrying the relationshippy bucket. Yo alt-Hato-chin; you should consider a grovelling apology for vamping in front of your old sempai while your manager had to stew in the next room. Reason by analogy time. If you became worried and insecure…. wait for it… Duhhh!

Kio-sensei has always been better at showing couples chafing than at being lovy-dovey. Also falling apart. Lets hope he keeps that one in the bottom drawer.

Alt-Sue is undoubtedly chief assistant to alt-Ogiue-sensei, the successful commercial ‘mainstream” mangaka. A voracious consumer of women’s pop libidinised fiction. The uber-fen. Probably does not like girls “that way” if only because the creator of this ‘verse seems to go out of his way to avoid “realistic” lesbian desire – whether from a fear of clumsiness with yuri tropes, to hide one of the main sources for the making of the Hato character (cf Mizoguchi, 2005) or out of a larger predisposition. So how is alt-Sue doing?

A digression with Lost Extras:

Has anyone noticed that we thieving leeches have not yet laid our mitts upon any English-translated Genshiken Volume Extras since volume 15? The extra panels from volumes 16 through 21 remain un-scanlated. These are traditionally whomped up as a bonus by the mangaka as the originals are re-formatted for release in a tankobon. I have gone out of my way to secure all 21 volumes of the original Japanese run of the Genshiken. There they sit in a neat pile. Sorry about my complete inability to understand Japanese. Google photo-recognition translate is a mess. No, I am not going to bring down the wrath of the big K upon myself and this blog by copying them and plopping them onto the web. Besides, If I did so, I wouldn’t admit it; I haven’t yet figured out how to chain VPNs together and wouldn’t trust the dodgy new owner of 4chan not to track IP addresses of image uploaders in any case. I can never get Tor to work and remain suspicious of it.

The only images I upload here are by way of critical comment, study and analysis. Even the parody ones by a dodgy eastern-European (or something) scan-group, who insist on putting their own wrong words into the dialog bubbles, are presented by way of example of fannish secondary production. As I hold an art degree and have given at least one conference talk on these matters, this is pure “fair use”. Have another fricking Zizek quote, just to hammer it home. Lookie at my Academia.edu account. No 3.1416-R8-cy here, nothing to see, move along.

I declare that the yet-to-be processed volume extras will remain as a way for us outlander fans to prove our devotion and appease our curiosity by buying up all the official English releases when they finally hit the shelves.

Whenever something finally happens, we will all be able to see that one page in the volume 21 extras (or was it the bonus leaflet cover?) that looks like Sue dragging Mada off, perhaps to silence any speculation as to exactly how things are going with them?

Did I mention the extremely irritating spineless perv luck effect? Sarraryman-boy privilege at 9000, again! Be sure to accompany her home, Casanova!

Perhaps alt-Sue is not a kiss-less rotten-girl wizard (sorceress? witch?) with a boob-job. I wish her chara well. May she have snacked on all the 3D cuddles she desired as she gorges on 2D yaoi-smut.

As for Alt-Saki, the wife, not the child; despite petabytes of online fan speculation it was ridiculously easy for Kio-sensei to pair her up with alt-Buddy Boy. The volume extras for Spotted Flower are instructive. Again, the woman had to do all the work. Perhaps Spotted Flower ch21 will have ‘the ex-boyfriend” casually mention how he still does not feel the urge to start a family. Wham! You didn’t have to disappear Kousaka-san or have him screw around, go gay or get hit by a beer truck. He had only to stand in the way of a ticking fertility clock. Women DO that kind of thing in manga, otherwise Japan sinks, -urrr- suffers irrecoverable population decline. Can we all say rigid gender role expectations? Stories are easier to plot out that way. All together now…

See also: loser-dog women, christmas cake women, the unmarried, amazingly hawt but still single and slightly psycho 29-year-old woman high-school teacher. Cross reference with Merei’s mom’s comment upon first setting eyes upon Madarame and Kuchiki.

Why this digression on sexuality and gender expression in Spotted Flower (with carry-over from the Genshiken) characters? I must point out that despite featuring a transwoman-appearing character, their virtual-lesbian-appearing partner, the libidinized BL/yaoi fandom they work in, the discussions of improbable male-pregnancy plot-lines, the flirting with alt-Mada and the hints of his married-life kinkeries, that Spotted Flower remains the most heteronormative “queer” manga that I can find. Buddha on a Bicycle! This thing is about having a baby and becoming a good child- raising couple. Alt-Ohno and the yet-to-be-met Alt-Tanaka (was he there in ch20’s hall somewhere?) already have two kids. And the pressure will be building – I predict – for our lesbian-appearing couple except that, yes! Japan will have no problem whatsoever registering their marriage certificate. Meanwhile, all the queer-appearing characters drop caveats and disclaimers: “Nope we still… and/or nowhere enough… not.

“I’m not gay, it’s only you.”

Spotted Flower must provoke all manner of mixed reactions within the Japanese queer community. If I ever get wind of any these reactions, I’ll try to repost/ mention them here. For now, I stick to my side of the street. As well, despite alt-Hato’s breasts (and possibly hormones) all the Spotted Folk are earnestly vanilla. Cosplay and Stripsu Pantsu. Otokonoko games. Alt-Hato is drawing dojins that follow the kind of historical story-lines that Yoshitake used to obsess over. Alt-Hato and alt-Yajima cuddle (and presumably bonk the old-fashioned way). Happily boring; male bodies with female bodies trying to stay together trying to find some small measure of contentment – 1.2 times per week (barring pregnancy).

Genshiken‘s Saki-prime once mentioned that she had gay friends/acquaintances. Alt-Saki/ the wife seems to have forgotten them. Fer krissakes, Kio-sensei; the dog was barking before with the absence of IRL lesbians in the Genshiken. This also masked the absence of IRL gay men. That pooch is now out in the courtyard howling. It is going to look rather insulting unless someone in the new Spotted-verse, even a peripheral someone likes members of their own sex.

Over here in the outlands, it is called “erasing“. It is considered a not-good thing.

On the other hand, if you clumsily represent, you risk doing a different not-good thing.

Oh heck! This is complicated!

You don’t have to make Kousaka gay. Or Sue non-binary (newfangled speak for ‘Bi”). Any of the female editorial staff at the publishing company can be a fujoshi who likes 3D women. Or you can whomp up an honest to goodness gay male BL fan character. Some do exist. Go get that handy fan-fudanshi study “Fudanshi ni kiku [Talking with fudanshi]“. by Yoshimoto, Taimatsu.The author still sells copies and has a website for orders. [http://www.picnic.to/~taimatsu/common/milk/milk_postal_taimatsu.htm]
It has testimonial interviews that you can swipe. The research is much easier now. Then you can have everyone feel uncomfortable when the editorial staff meets the mangaka and assistant.

Profit!

Since I’ve switched on the infamous ‘playset field’, it’s time for:

How the mangaka got their verisimilitude back!

We outlander types can peer in on (parts? of) chapter 21.5 as a web preview on the Rakuen Le Paradis web site – at least for now. Click on the cover image to load the pages.

No, here: 
http://www.hakusensha.co.jp/rakuen/vol23/trial/0424_kio/index.html?pagecode=1

Forget the problem of creating a believable otaku university club crammed with 2017-era geek guys and rotten girls. Instead, why not use a contemporary adult social; something that you can get research notes on. Say, the offices of a manga magazine publisher. Far more interesting too. The following in no way reflects upon the real conditions in any division of hakusensha.co.jp or its staff.

I like Le Paradis. They keep putting sexy adult women on their covers. All of them look like they are in the middle of torrid, romance-drenched assignations. Very grown-up and steamy. A fair amount of yuri, some BL and a noteable amount of heterosexual romance. Some backsliding, as the works inside have their share of teen characters. A josei magazine that can interest guys too – and I think that goes a bit of the distance towards explaining why Spotted Flower ended up there. Spotted might have been one of the lightest of the regular offerings. Time to up the game, now that the happy couple have their new child to deal with.

Then again 14-sai runs in Le Paradis, So do works by Takemiya Jin, Rendou Kurosaki and even of late, Kōji Kumeta. Yipe! I could run this entire blog solely on their output. I am now a convert to “Neo-Josei“! Fer krissakes, make a licensing deal with Crunchyroll Manga Service for simultaneous translated releases or something. Give me advance preview peeks and a pittance and I will regularly sing/ blog forth thy praises. Retain an aged outlander!

YO Hakusensha!!! I for one welcome my new Josei overlords.

Not holding my breath.

May I first suggest putting a hard link for Le Paradis at the bottom of your main magazine listing page? It is one of yours, right? Why are you hiding it? If the gravure bikini model pics mag gets a link, why not Le Paradis?

Towards an expanded topology of contemporary fen praxis

(Whooo-boya! I got to use praxis in an essay, again!)

Please review the Ogiue Maniax re-reading of the original Genshiken; [https://ogiuemaniax.wordpress.com/2017/05/28/return-to-genshiken-volume-3-stimulation-simulation/]

This is an excellent examination of the details that went into making the original mid-2k’s Genshiken a beloved classic. Note how the blog’s proprietor highlights how “infra” the game discussion gets (even as the English translation struggles to keep up with it). The youtbe clip of the fan-made fighting magical girls game drives home the weirdness of hardcore fandom at the time. As I have previously noted, behind some of the old-guard male fandom’s vitriol about the women-led second generation’s club practice lay the obvious conclusion that Kio Shimoku knew very little about what fujoshi and women otaku actually enjoyed and DID when they fanned out. (To be fair, fujoshi socials were a lot more secretive in 2009 than they are today.) The boy Genshiken followed anime and manga, read naughty derivative dojins, played games and derivative fan-games, constructed plasmo, even gunpla models (Plastic models, a subset being models from Gundam franchise) helped out with female-led cosplay events and wrote TLDR fan essays for publication and kept up with online fan BBS’s.

All the guy readers were perfectly willing to put up with girls running the club if they could peek in and pick up some anthropology. More fun then K-on; Fujoshi-raku. Perhaps they could then make interesting small-talk if they ever ran across a real live fujoshi. Instead: BL, BL dojins, pairing talk and unconfortable sparks between a young guy who wants to be a fujoshi and the leftover uber-geek. WUT?

Where are my secret fujoshi secrets revealed?

BLergh! “It’s all rotten stuff now and THAT TR*P!”

I have also pointed out that No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular (WataMote) had more female otaku verisimilitude in it than all of Genshiken Nidaime. And a magic wand personal massager too!. Criticise New Game as Cute Girls Doing Karoshi, but the idea that games for women, made by women are a robust market and not just a niche shelf of silly otome games involving pigeon boyfriends (or butler vampire dogs) offers glimpses of what Genshiken Nidaime missed. Women do Gunpla. There is a huge game market for women. Voice actor audio, Net-broadcast extras. The merchandise. The Cosplay. The online fandoms. The posters and limited edition whatevers that come with the BD release.

The whole effing spend your entire adult paycheck Media Mix.

This requires field study!

Now we have an ambitious young genderqueer mangaka and their very able manager/ assistant, with an editor pushing to mainstream their output. Opportunity seldom knocks twice. Played right, Spotted Flower could expand into a full mad romp/ game map through the entirety of the beat-a-property-to-death process that is modern Media Mix Marketing in CVJC. Stick to the women’s side of the avenue. You can still pop back every chapter for at least %40 coverage devoted to Otaku hubby and wife raising their first child hijinx.

Kio could get to do a manga (partially) about making manga, the holy grail/ old chestnut dream of all mangakas – if only because there is always plenty of material for next month’s chapter close at hand.

Oooh, A signing for the mangaka.
They are planning an anime!
Seiyu! Production committee meetings.
Marketing Department!
Theme music by dodgy Talento agency bands.
Console and phone game versions
Lookie; a spin-off light novel series!
Bonus audio disks, posters, key chain fobs,
Figurines, CM’s, PV’s, online forums, fanfiction.

Long walks down Otome Street to take notes.
A scene where the editorial staff gets to meet and query a group
of grown-up, employed, married contemporary fans?

Why should Saekano have all the fun. [https://en.wikipedia.org/wiki/Saekano:_How_to_Raise_a_Boring_Girlfriend]

Welcome back, we missed you!

Gripe, gripe, gripe. Picky fans are picky.
We wouldn’t pick if we weren’t already completely, hopelessly sucked in.
Urusai!
Wait – the contradictions have sucked us all in… again!
Sensei knows best.

Hey? Are you gonna give the characters names?

 

Update: See also: Astro Nerd Boy‘s review, if only for the “Brian” graphic
(damn! forgot that ‘un!)
https://anime.astronerdboy.com/2017/06/spotted-flower-chapter-20-5-1-manga-review.html

Enter the dragon

Wow…

Slack off for a few days and the Genshiken-verse throws you a surprise, or even a treat!

Lookie who just popped up in Spotted Flower:

Sure looks familiar2 Spotted flower600

If that aint a Sue Hopkins gapple-san, I’ll swim back to Canada. …And is that a hint of competition that we are being treated to? …Or just service-y ribbing? Meanwhile Kio Shimoku has slipped another one past us. Please recall that original-Sue has so far given no hints of drawing ability (assistant-work aside) or interest in developing any.

Which is a shame. Of course Sue is at least as monomaniacally focused and adept at picking up and mastering skills that are dear to her heart as Hato is. With the focus on Hato and the “be able to draw my fantasies” plot anchor, I have often wondered if Sue had the itch to draw and what her fantasies were. And didja catch Yajima-gappel‘s “Tell Sempai I said Hi too“?

What’s up with the sempai thing? Or was not-Yajima referring to not-who(?)-note-accent-perhaps-Yabusaki?

I always thought that SueHato would make an incredible power couple and provide enough kick-in-the-butt for Hato to assume a more “out” presence in and around and even outside of the walls of the clubroom; say as next Genshiken president. Can’t hide from the stuco boy forever.

Yeah, I ship SueHato, how boring of me.

But, yeah, gappel-Yajimacchi makes better sense.

…The patience of a saint.

Aside: Vacation ending soon; will get back to work and do all those posts I have been promising to do: Return of the Otaku; a re-jigged version of a scrapped post which was a follow-up on the “propaganda fide” Hammer post – fixed so as not to step into fake controversies or insult sempais; a crap-load of boring crowd pix on a Flickr slide show of crowds at winter 2015 Comiket (too flustered to do many close-ups which politeness dictates obtaining permission for) and a short thinky piece on what happens when boring old vanilla guys like moi (and certain mangakas) begin to clue into certain theories written for a select demographic then blunder in and mis-appropriate some of the core themes. (grin! – Of course we check our privilege, we check it almost as often as our wallet) Oh, and the last is as applied to that most persistent of questions; what in the world is Hato Kenjiro?

Wind blows, rain falls, fire burns…

Complete Aside, but worth noting: A good discussion of “the male gaze” and moe along with some notes towards defining a “female gaze” at:

CONTEMPORARY JAPANESE LITERATURELinkle, the Female Gaze, and the Sailor Moon Paradox [http://japaneselit.net/2015/11/21/linkle-the-female-gaze-and-the-sailor-moon-paradox/]
Zettai ryouiki? That explains a bit more about some of Hato-chan’s outfits.

Hold ‘de presses! Nicholas Theisen’s [COMICS] AS READING, published as an ongoing work on his blog WHAT IS MANGA? is wending towards the finale. The latest chapter, CHAPTER 5 – INTRODUCTION, OR [COMICS] AS GUIDE TO TEXTUAL SUBJECTIVITY PT. 3, is a wonderful bit of mythic narrative on a subject dear to my heart, and this blog’s “masthead”. You go read it right now! (please… )
http://whatismanga.wordpress.com/2015/12/24/comics-as-reading-chapter-5-introduction-or-comics-as-guide-to-textual-subjectivity-pt-3/