Spoiler lamp is ON
Izetta and Princess Fine met and were friends for a brief time when they were young. The Princess saved her from a peasant mob and suffered a nasty wound to her side in the process. There are limits to Izetta’s powers and she was raised to hide them. The alt-nazis killed her family when they captured her; she will kill to defend herself. The alt-nazis have a foothold in Elystadt; Izetta managed to carry the wounded Princess to the relative safety of a retreating column of Elsystadt troops. Izetta pleads to stay by Fine’s side even as Fine tries to convince her to flee to safety. Meanwhile the alt-gestapo agents from the train resolve to hunt Izetta down. The story so far is a class-S young women’s fast friendship mixed in with a (quasi) WWII battlefield adventure.
Episode two of Izetta etc gives us the quick alt-nazi war footage by way of introduction and then jumps to some cheesecake in the opening credits. When the music fades we are back in mid-air with the Princess in
Izetta’s arms, just as we left them at the end of the first episode. The pacing is brisk and after a brief “whoa how do you fly this thing” near-miss with mountains, our two heroes find themselves chased by alt-luftwaffe fighter planes. Here Izetta shows that besides touching an object to control it, she can also splatter her blood on objects and exert powerful magic at a distance. Enemy planes fall to her ice shards after she lures them into chasing her close to the snowy ground. The Princess gets the last plane with a single shot from the anti-material rifle that they are riding. After they land safely Izetta caries the weakened Princess until they meet up with a column of retreating Elystadt troops. After some field first aid, the party holes up in a ruined mansion and the princess hears of how bad the war is going.
Episode 2 is relatively short on fan-service as the story begins to edge towards an adventurous tale of friendship between two young women facing an implacable foe; almost the stuff of traditional shonen fare. Only the opening credits drop in some odly out-of-place fan-service, along with plenty of tanks and guns. Izetta is a courageous red-headed young girl; the nod to “Red Haired Anne” [http://www.huffingtonpost.com/terry-dawes/anne-of-green-gables-japan_b_4899252.html] the western tale that showed that young women could have fast friendships without suffering terrible retribution (a la Flower Tales) from the fates, is obvious. Houston, we have a Class-S [https://en.wikipedia.org/wiki/Class_S_(genre)] adventure; think “bromance” with young women (which has to be one of the more convoluted ways of describing the effect, but if it works, roll with it…) See as well: http://okazu.yuricon.com/category/history-of-yuri/page/3/
More of Akagi no Anne: https://www.youtube.com/watch?v=GN8yqsNCG-A
As the episode ends, the alt-wehrmacht is advancing through Elystadt and the Princess has ordered Izetta to flee.
Thanks for cultural notes on why Anne of Green Gables wormed its way into Japanese
The story of the Princess and the Witch seems interesting.
I am re-reading the Osamu Tezuka story currently with greater attention and a
magnifying glass, essential(for older eyes) for some of the Tezuka work
reproduced therein. Manga in the early days in Osaka forms a big part which
of course turns on publishing and printing. There was a big paper shortage
which is probably why it took so long for Anne to get into print.