“It begs the question, what does it mean that all of these female-authored stories – which, I’d wager, constitute one of the largest existing bodies of erotica written by women, for women – should hardly feature women’s bodies at all?“
Audrey Lemon – How Slash saved Me
“…reminds me of a German guy I knew in Tokyo to whom I lent some Eroica slash stories. Helmut returned them to me in agitation. ‘Don’t these writers realize men can be friends and not want to have sex?!’ Naturally, I said, but the point of the slash exercise is that the guys do have sex. He didn’t see it.” -MJJ/ Aestheticism column
In Genshiken’s Chapter 82 Kio Shimoku has a go at staging some risqué “girl talk”, or at least fujoshi talk, as Rika and Yajima try to work out their anxieties and curiosities over male and fujoshi desire. By skillfully tossing in a few themes and red herrings that have surfaced in the literature on fujoshi subculture, he makes a convincing go of it. He also leaps around a bit to keep the reader’s bullshit detector quiet, while cranking up the embarrassment and awkwardness that serves as characterisation for his creatures.(1)
it is a bit hard to remember, but Rika and Yajima have been Genshiken members for only a few Genshiken months, making their appearance after the recruiting drive, just panels before Hato and serving as a foil and a legitimation for his fujoshi/ fudanshi interests. They are his “fellow fujoshi”, or as he lets slip, “us girls”. They still have a few reservations about this last bit, but at least they are all contemporaries. Ogiue might be a fujoshi, but as Genshiken president and published mangaka, she is always going to be their sempai. Sue is out of the loop and Ohno is the Genshiken’s fairy godmother. Contemporaries or not, when the mystery plastic thingy turns up, it must be Hato’s and it must be something used for kinky fun.
Rika’s “grow a dick!” exclamation is a restatement of this great gender gap, as well as a fine narrative trick. This is not some Freudian throwback, but a bit of verisimilitude pinched from real-life fujoshi (if one can believe Mizoguchi) chatter, as well as political/ cultural humour among lesbian academia. For some odd reason it always reminds me of the Dwarf holy man in Terry Pratchett’s Discword book “Thud!”
“It’s like using an axe… but without the axe.”
Rika is a wonderful shit-disturber, but in retrospect I now doubt that she will be revealed as a junior lesbian fujoshi in the Genshiken-verse. I must curb my enthusiasm and fall back to my previous conclusions: there will be no “out” gay characters in Genshiken unless they appear as an already happily paired-off couple, and Hato holds the token virtual-lesbian-fujoshi position. If I bungle this prediction, I have either seriously misread the whole Genshiken, or it is shark-jumping time. I put aside the girls’-only high school and the forcing her sister to crossdress. Honestly! And Shimoku-sensei isn’t going to fool me with Sue either!
I should control myself when posting comments on other blogs.
Besides, a Fujoshi’s “virtual dick” or “dick-stick” (yup, both used in real-life reports) is a heterosexual female Japanese fujoshi joke (as well as a western academic lesbian joke). Here a western slash fen goes on about the elusive member:
“:#2 — “But he’s got nothing at all!!”, aka No Cock is Good Cock
Yeah well- sad fact is that one of the guys has to have a cock, so that anal sex can take place. But you don’t want a real cock, because real cocks are only fascinating to men (straight or gay, if the truth be told) and most women have other bits of a guy they prefer to think about. Now if my theory that the seme is a woman is true, the seme’s cock is necessarily a latex strap-on, so it’s no wonder if it’s totally nerveless and always up. However I don’t think most yaoi authors think in those depressingly realistic terms. They prefer the aesthetic. In picture yaoi the seme’s cock is an elegant affair, drawn in simple lines to create a pleasing outline. No toner or cross-hatching to suggest purplish skin and engorged veins etc. And it can accommodate some really odd positions. In text yaoi the seme’s cock is equally sketchily described and accommodates some equally odd sexual acts. And the reason for that is- need we say it again?- the seme as a person, and as a physical person, is a fantasy. It’s a fantasy cock. It can do things real cocks can’t (but fingers often enough can.) It’s the ideal sex organ. It can ram or it can tickle. It can pierce through to the bowels or coyly play about the entrance. It’s bloody *flexible*– it bends. What’s the use of fantasizing sex if you can’t fantasize it with the ultimate sex toy, hmm?””
From M.J.Johnson’s “The Top Ten Things I Love About Yaoi” (2002?)
M.J.Johnson is the nom-de-plume of a western lesbian fujoshi/ slash enthusiast who lived in Japan for a few years during the 1990’s, read (and did early fan translations of) lots of Japanese fangirl dojins and then blogged a lot during the early 2000’s. Her posts must necessarily generalise from her own and friends’ particulars, but her insights remain extremely readable and thoughtful. Though sometimes what is most important is what she almost leaves out…
First; formalism in the genre:
Desire, like biological gender is innate, but its expression is socially mediated. Japanese fujoshi desire (we will worry about the rest of the world later) exists on the edges of a continuum of “normal” female desire within that society and is shaped in a collective, collaborative project by the concerns, frustrations, aspirations, dreams and fears of its enthusiasts. That Japanese society exhibits a strong tendency to value form and surface as predicator of role and outward/ surface behaviour simply acts as one of main forces to shape that expression. Pervasive structural sexism is a big part too, but we gaijin shouldn’t feel that smug.
So much of Japanese fujoshi desire is about the articulation of “forms”; so much so that the rotten girls are often in need of another, more prosaic stick to dislodge clumps of vulgar lacanian theorist fanboys (and I’ve done it too) that accrete around their hobby, gushing about “the violence of the law”. One can posit that it would look a lot like a certain Onihime’s floor hockey stick.
Taxonomy is one of the laws of magic. So is Repetition.
A well-agreed-on formal structure invites collaboration, fan creation, discourse and the elaboration of tropes and /or “topoi” (as MJJ calls visual tropes). A trope ain’t a trope without tropers. Plaster is a skilled trade; drywall is a weekend DYI project that invites friends with trowels – the more the merrier!
“Ladies comics” and mainstream male pr0n are like Windows and OSX. Fujoshi fun is more like linux. Initializing a dick-function (to really really stretch the metaphor), within a community predicated on the enjoyment and exchange of narratives that satisfy distaff female desire is not too different from cosplay. (I now have stretched the “open-source” metaphor so far that I have damaged it.) Remember that it took the Japanese to turn a small tradition at western sci-fi conventions; the masquerade ball/ second evening piss-up, into a global cultural form.
You put on the uniform and assume the role. Young moms dress like young moms and become young moms. Salarymen dress like salarymen and become such. Go skiing, dress accordingly, go hiking, dress up in yama-girl gear. Be sure to also read the guide books on how to be a proper hiker first! The tsunami pine that survives the tsunami but dies of salt in its roots gets cut down, fiberglassed and reassembled like a plate of fake food in a restaurant window. This is somehow supposed to be inspirational. Rocks and gravel get raked into “gardens”. Form announces a consensus about function. The center holds little truth about the surface. I am by no means the first to comment on this (2)
The only really odd thing about fujoshi material is those bonking pretty-boy characters and behind them, the equally odd nature of the culture of collaboration that produces them:
Male pr0n fanatics may post their solitary efforts on forums and chans, but nothing is more prickly, passive aggressive and hysterically solitary than a male pr0n enthusiast, except perhaps a western male geek in full defence-mode of the particular sci-fi/ comic/ manga/ anime thing he obsesses over. Male geek pride is often inimical to a friendly discourse of form. Instead they stake their identities on loud proclamations of preference-as-holy-writ, often so insistently delivered that one would think they value them as their very lives. It makes for lousy “circles”.
That there are so few hysterical mastery displays by the Genshiken boys (Madarame’s fanboying in the group zine is not even close to the mildest examples of this kind of thing) is one of the great enabling plot liberties of the series. The Genshiken males keep a sheepish silence long enough to learn to tolerate other males’ takes on their fave things and eventually get to interact as friends. Real- life assemblages of geek boys are far more fraught with bruised egos and simmering anger over thwarted alpha-dog-of-this-particular-tiny-realm-of-fandom displays. Emotional critters wez guys is!
Of course no one is going to argue that Japanese women need socialization lessons from the fujoshi fandom, but fujoshi fandom is curiously social – curiously in that the subject material is centered around “solitary vices”. Fujoshi desire posits the role of agency as something that is exchanged, shared, messed with, worked on and then “put on” to see if it gets a round of approval as functional. The only hints of discord in the exercise comes from the great myth of the “pairing fight” – a disagreement over the understanding of the agree-upon rules of form that is probably more self- mocking humour than reality.
The formalistic “rules” of narratives of fujoshi desire are endlessly amenable to incremental adjustment and expansion of categories and sub-genres. I note from further readings from fangirls, that the rigid monogamy in fan-appropriated narrative versions of shonen series now makes room for a range of preliminary (?) pairings between characters within the seme x uke framework, and discounts one-dimensional displays of violent “want/take”.
Much as Ken Kurogane’s “yuri-lesbian-alien-schoolgirls” try all manner of provisional play, before settling down to “true ruv” and the only ‘bad lesbian” is the predatory one who wants the “player” character to herself and stoops to blackmail and threats to get her way. She gets pummelled with a fire extinguisher by the heroine who rescues “the player” and later declares true unending love. Said “player” more or less reforms and accepts true love. Moral of the story: never use your fists – you can hurt them! … But I digress…
No wait.. Moral of the story: Higgamous hoggamous yaoi is still monogamous, but now serially so. Unlike fanboy yuri, threesomes and moresomes are still frowned upon.
So the Genshiken anime yaoi episode is truer to type than first thought. The Kousaka character is probably what MJJ-sensei characterises in an essay as a ‘super-slut” a character whose only identity is that of a pan-sexual polymorphous player. And I thought it was all just seme x uke. The male super-slut is a trickster figure who exists solely to foreground the sex. He will try anything once or twice; even incest and Morris dancing. In a sense, he represents the event horizon of the boundaries of sexuality within the story. Think of the Rocky Horror show if you need an easy example. Some limits are necessary; if anything is possible, nothing is hawt.
The virtual dick that the fangirls laugh about is of course the role of agency – the power to make things happen as the story and within the story as that ghostly appendage. It is wielded by the seme – proxy to the author and reader and imposes an oft-violent “pleasure” and incidentally subordination/ non-/ loss of/ agency on the passive uke/catcher/ receiver/ bottom character. But it is wielded in the guise of an over-the-top imagining of male desire in berserk mock-homo mode, so at times the result is something like a newbie attempt at doing hard-boiled detective story dialogue:
MJJ-sensei again, on the sins of fanwriting: (arm the Bulwer-Lyttons!)
“Cock”. Yes you have to use it in here-and-now tough guy stories or teenage stories or whatever stories, cause that’s what guys in general call their cocks. You don’t have to use it every sentence just for the thrill of using it. ‘Duo pulled out his rampant cock and shoved it in Wufei’s face. The black-haired pilot eyed the brunette’s cock with contempt. ‘You think I care how big your cock is?’ the obsidian-eyed youth spat. You will, my Asian charmer. My cock will teach you. The master of Death Scythe flipped the delicate Chinese pilot onto his belly and shoved his throbbing cock inside the butt that normally warmed Shenron’s control chair.”
Ok, I only tossed that in because it was funny big time. Derivative source warning flag up – again we have observations on western slash slipping into Japanese bl/y territory.
That a phallic agency is conflated, mirrored and fetishized within the creation of fujoshi narratives is only strange insomuch as the nature of that agency is reflected and recreated moment to moment as a collective discourse within a community of (mostly) women.
That cock is a group-mind cock! The lacanian phallus has been stolen by the wimmins! Monsters from the “id”! A legion of Harley Quinns with a smattering of Hothead Paisans (You have been warned!) are trying out their xmas gift machine guns. Hijinx to Ensue!
“Lance! keep your effing head down!!!”
Once again, the sexual “pleasure” of the fantasy, for the consumer/ creator is “agency”. Pleasure for the author and reader is derived from the fantasy of imposing a weird idea of overwhelming physical pleasure on a character written as an incomprehensible “other”, by a character that is a cardboard projection of an imagined male “id” and therefore male-privileged sexual agency incarnate.
The uke as “other” is both incomprehensible male and mock-female. Because this “other” is by definition “alien” we get the MIB explanation “because they are aliens, they do alien things!” And the “alien” thing both seme and uke do is derive implausible enjoyment/ satisfaction/fulfilment from this arrangement. Finally the whole uncomfortable mess is wrapped up in ribbons of narrative magic posited as “this is the way those alien boy-things do love” to turn it into a just-so story.
After all, isn’t “love” something that makes women do stuff that goes against everything that is is good and safe and proper and fun?
“Look what happened to Mom! “(3)
That this sounds rather sick and squicky is both besides the point and central to it. That’s what the whole theory-term “the other” was invented for. Few Baudrillard fans quote his “Seductions” because it endlessly kneads this goo around for hundreds of pages, but as an executive summary, this will do – for it and a whole slew of other pop culture-psych-social-anthropology theory that is about the best we have to explain this and similar messes, right now.
Necessarily “the other” for fangirls is a wee bit different than for theory-boys.(4) Rika would probably find her dick-for-a-day problematic. Rather than a list of all the ways that a real mr. woody can be unpredictable and prone to painful damage and embarrassing non-performance, what is worth noting is how the seme or even less structured “top” role in fujoshi and slash fantasies is writtens as taking its pleasure from playing its role, rather than from the nerve endings of its imagined naughty bits. Even ejaculation is posited more as a symbolic role-playing pleasure than the result of an actual physical climax. If mr. seme is enjoying all that thrusting into the helpless uke, he traditionally gives very little sign of it – at least according to two infamous fan typologies mentioned in previous posts. Vocalizing pleasure during the act is somehow weak and uke-like? It is as if the uke gets to loudly acknowledge all nerve ending stuff for the pair, as well as the role/ emotional enjoyment stuff. This one requires testimony from Japanese fujoshi. Who gets to say what when, and what? Is the speaking role indicative of shifting reader/author identification/ POV?
If the exchange of fantasies within the fujoshi community is about agency, then the uke is also what is left over in the exchange, “the accursed share”, the bits that the fantasist was trying to get rid of, give away, but stubbornly remain.
It is not that what remains is “feminine”, but rather that it is the parts of the societally proscribed yet problematically internalized feminine that the narrative is in flight from; the parts that are supposed to fit, but just effing won’t! So give them to a fictional pretty boy and kick back to watch the fun! And yet these accursed things pursue throughout the narrative like vengeance. Medusa might have her laugh, (pace Cixious) but she doesn’t get the last one. “The farmers (the social real) – they always win.” Biology always threatens as destiny. And yup m-preg does pop up an effing lot in fujoshi tales.
ASIDE: “Who speaks my name in shadows?”
I may have it completely wrong, but I venture that my modest experience that women generally find it distracting and annoying when a guy yaps while screwing carries over to female fantasies of all types: Grunting occasionally is allowed. Anything more trespasses on her active construction of the event-as-it-happens. Years ago I had a lover who insisted on a porno movie mantra that she repeated continuously throughout our lovemaking. It was really, really annoying as all heck, and yet it worked on me just as much as it was necessary for her.
A powerful grad-student study mojo threatens here: Who gets to yammer, and when during various forms of fantasy narratives. Would the “top” blab more before or during or after than the “bottom” in wimmen’s yuri vs LFB man-made yuri? For fujoshi made m-m vs guy-made bara. Western vs Japanese? I swear, this is not just an instant masters degree but a chance to see how the high theory of various feminisms mirrors (or not) in the vulgar vernacular. Some lucky fujoshi is gonna get tenure on this one, all while voraciously reading her fave fare as “research” – my gift – enjoy!
Such are the terrible engines of fujoshi desire. With such internally self-generated, self-replicating chains of contradictions to fuel the fun – one could power starships with this stuff, if only it did not turn to mist in the light of day.
MJJ almost described a perfect imaginary member, but then could not resist mentioning fingers. Her fingers. The finger of a real-life woman who proclaims that she loves other women. Even if you are one of the tribe of women who love other women and who still enjoy top/ bottom role delineations, you have to admit that fingers are way way different that dildoes, let alone dicks. Touching one’s lover is whole different thing than bonking them or going at them with a sex toy. Real-life guys have fingers too, and we too soon enough learn how to be considerate with them and considerate in general in the presence of the ones we love. Else we are going to to spend the rest of our days as ronrey basement-dwelling neckbeards.
The point that every reasonably functioning sexually active adult should acknowledge is that there are 2 distinct aspects to the fun of love-making; the pleasure of one’s own body and the pleasure of being able to give pleasure to your lover. (awwww… that sounds so 1980’s) Admittedly a great deal of roleplaying fetishistic sex has one party eschewing/ limiting their physical stimulation to impose such on the other party, but even from a purely mechanical point of view, we must agree that this is “extra” – closer to the solitary vice than what two people can do with each other at the same time. Crudely put, in the language of straight missionary position sex: getting your back clawed a bit while she writhes around is plenty better than just feeling her writhe around as you screw, which is still better than her just lying there. And touching her while you thrust madly is better than just thrusting madly.
Duh? Dat so Captain Obvious? Your point?
Fetishism limits the direct feedback loop of mutual physical contact as communication during sex.
How closely do the narratives of fujoshi fantasy follow this form to emphasize the illusion of agency?
Blatant formal rules for mutual give-and-take and consideration are not what fantasies are for. It is hard enough to get the writers to remember to put rubbers on their fuck-puppets. (the North american porno movie industry is fleeing California over a State law that mandates that all filmed naughtiness “play safe”.) Fantasies are for avoiding all the troublesome work, empathy, miscommunication and perpetual fail that hovers about the scene while real-life love tries its best to find and make a bit of happiness for a few moments, at the price of the “full measure of [one’s] time.”
And all the give and take stuff can be tough for the gal, as well as for the guy (or the bottom as well as the top, or the uke as well as the seme). It can be a bitter admission of defeat/ inadequacy. The guy/top/seme is supposed to be driven to fits of very apparent mad lust just by the mere existence and intensely radiating fuck- me- now- dammit- field powers of the gal/ bottom/ uke. Having to do all those Cosmo magazine sex tricks is what unloved ugly-stick partners have to do because they are just not that appealing on their own. Or the thrill is gone…
Definitely not fantasy material. Sounds like work. See endnotes for why guys should be very, very, VERY careful buying naughty underwear for their girlfriends.(5) And Gawd help you if you drank waaaaaaay too much and you prove inadequate to the moment! What if she takes it personally? (if ?????)
Shimoku-sensei’s Spotted Flower is so deadly on-target in this respect that it hurts. What is a frustrated pregnant girl to do when buddy-boy gets all scared of your delicate condition? She even deployed the striped schoolgirl panties to no effect! (6) The main problem with the Spotted couple, and with Ogiue + Sass is the notion of the pairing itself – that a rotten girl will feel so alienated from mainstream society as to “settle” for an Otaku boy.
“the problem with that theory is that fujoshi don’t give up on seeking [social] acceptance — the majority dress perfectly normally, work out, even have boyfriends (shock!). Anecdotally, they are usually on some form of the treadmill: either interested in a lifelong career, or looking to get married and become a homemaker. So (and again this is anecdotally) the distaste for otaku comes because of the whole otaku dropout thing. That isn’t what they want for themselves, and it definitely isn’t what they want in a partner. One of the pillars of yaoi/BL and even regular shojo manga is that one of the romantic antagonists has money and/or status and isn’t ashamed of it.”
From a reply by the author in comments:
Nasty Kaminaga is closer to a “real” fujoshi than any of the Genshiken fujoshi characters. Saki + Kou are of course a perfect couple. If the previews for Genshiken’s ch83 are right, then Madarame ain’t gettin’ any, any time soon. Unemployment is a rotten cologne on any guy. Beyond this, Genshiken avoids the class-war tropes of Shoujo/ bl/ yaoi. Shame on Neojaponism for skating past this one too; the closest we have to any analysis on this is the Amorous Arabs essay by Kazumi Nagaike. The easiest way to deal with this elephant in the room is the old saw: “abuse of power comes as no surprise” while recalling that adolescent fiction of both sexes is the fiction of the powerless.
Feminist/ queer/ gender theory concepts of subversion and resistance grow out of the recognition of the structures of power in society, and then attack the myths and hidden assumptions inherent in these.
The idea of unmarked categories originated in feminism. The theory analyzes the culture of the powerful. The powerful comprise those people in society with easy access to resources, those who can exercise power without considering their actions. For the powerful, their culture seems obvious; for the powerless, on the other hand, it remains out of reach, élite and expensive.
The unmarked category can form the identifying mark of the powerful. The unmarked category becomes the standard against which to measure everything else. For most Western readers, it is posited that if a protagonist’s race is not indicated, it will be assumed by the reader that the protagonist is Caucasian; if a sexual identity is not indicated, it will be assumed by the reader that the protagonist is heterosexual; if the gender of a body is not indicated, will be assumed by the reader that it is male; if a disability is not indicated, it will be assumed by the reader that the protagonist is able-bodied, just as a set of examples.
One can often overlook unmarked categories. Whiteness forms an unmarked category not commonly visible to the powerful, as they often fall within this category. The unmarked category becomes the norm, with the other categories relegated to deviant status. Social groups can apply this view of power to race, gender, and disability without modification: the able body is the neutral body.” – some wiki entry on philosophical concepts of power
Note how this theme provides nice background music for an MJJ essay on why it has to be males bonking:
“”Gender fuck. (Which of you is the woman? a) Neither b) Both c) Toss a coin d) Him, he’s shorter e) Him, but only on alternate Thursdays.
Because the roles aren’t automatically assigned by sex, the characteristics commonly regarded as ‘female’ can belong to either of the guys involved, or both, or neither. (The neither stories are pretty bleak.) You can give the guys attitudes and behaviors that aren’t normally found in men, straight or gay. They can be super-romantic. They can swear eternal devotion and be ready to die for their loved one. They can cry, and moon over the question of does he love me or not, and spend hours discussing their feelings with their partner. As Joanna Russ has pointed out, famously, these men are an amalgam of what women consider desirable male and female qualities male bodies, male status/ power, female relating styles, female priorities (love and human connection are more important than politics, economics, or soccer.) These men are the female idea of ideal human beings.
[ my note: warning – If Russ is commenting on it, it’s about slash. ]
This is one form of m/m. There’s another, not as pretty, in which negative female characteristics are given to one guy or the other. Passivity, helplessness, victim mentality, masochism (‘He’s untrue, beats me too, but he’s my man’ as the old blues song has it.) These stories have the classic sadistic ring to them: sexual and sentimental pleasure in torturing a helpless person because he’s helpless. Some people- very few- do ‘get the strong guy’ stories; but what presses more buttons is a male who has female relating styles and priorities (love is more important than soccer and a functioning anus) being put in the most degraded female position possible (sexual and emotional slavery), where you can then watch him suffer. The reader is evidently supposed to identify with the victim, so maybe the purpose of the exercise is to give readers a masochistic thrill.
Or possibly the whole thing is a female form of catharsis: the catharsis that comes from seeing hostility represented openly. The male action pic gives you the catharsis of violence with scores of anonymous bodies being gunned down and blown apart. It makes sense to me that the female form requires a closer attention to the object of the violence (that has to be a person suffering, not an anonymous Hollywood extra) and a narrower focus on the emotions involved. The focus seems to be not physical violence and suffering so much (in spite of all those rapes) as emotional violence and suffering. Well, emotions ‘R’ us, most of the time.”
Holy Handmaiden’s Tale Batman!
Wait a sec tho – things are getting confusing here: Sometimes MJJ is sure that the seme is the woman as reader/ author. Other times the uke is the woman as receiver and emotional proxy. Would she still be around blogging, I guess that she would answer that it is both and neither, always at the same time. Perhaps the POV jumps from the seme during the foreplay to the uke during the secks. Who can tell? MJJ is a westerner who tended to fold her slash interests into her yaoi interests, so the tropes of one field merged into those of the other – which is why one has to be cautious with western comments on native Japanese fujoshi culture, even when the western correspondent lived in Japan and could read and fan-late the stuff.
That said, MJJ was pretty much in concurrence with what Zizek has to say about fantasies being a containment field for the contradictions of desire, rather than just desires themselves.
All of this also gets nastily Hegelian, really fast. Yup; vulgar dialectic of master and slave time. Ur-Yaoi! Two Conan the Barbarian types freely wager all on the mountain-top for a chance to dominate. Suppress retching reflex and take the safeties off the claymores. Mark Twain recognized that Alfred Nobel was a heckovalot more dangerous to history than dialectics. Mark Twain had just gone through the American civil war. Incidentally this is why casino gambling is so effing pathetically useless and sad. Fuck the slots – all of you just go out into the parking lot and beat each other senseless. Winner gets everyone’s cash, minus the state’s cut. But do it slowly, so the rotten girls can watch.
ASIDE: Hmmmmm… Hato is taking economics. Wonder if he fetishizes “rent-seeking behaviour” by corporations? Keep in mind that it is the State that sets the artificial arena of the rules that allows rent-seeking behaviour. ( for those of you who don’t pay much attention to economics, read “the rich fucking over everybody with rigged rules, rather than actually employing folks and making stuff” ) Will he grow up to be a good leftist economist like certain New York Times columnists? What will be the dark secret of his amazingly intuitive economic theories?
Back to some heteronormative male fear-disgust reactions:
This crap does not advance the project of civilization! Thugs fighting and fucking is just thugs fighting and fucking, and you can’t keep the lights on and the stores full of food when too much of this shit spills out onto the streets!
Kill it with fire!
At a safe distance…
Off to the re-education camps!!!
(Note the rising angst-flood of male hysteria)
“A WELL REGULATED MILITIA BEING NECESSARY TO THE SECURITY OF A FREE STATE, THE RIGHT OF THE PEOPLE TO KEEP AND BEAR ARMS SHALL NOT BE INFRINGED !!!!! “
“You see – We’ve tried”, reply the girls – “it is too deep within YOU!” (You too ladies; that school massacre boy got all his guns from his mom – who he shot first) so the most fujoshis and slash fen can do is trivialize it – and they’ve come up with some really fun ways of trivializing it!)
I am theory boy!
Son of bitch!
You want Columbine?
You want Akiba massacre?
You want school and theatre shootings? suicide bombers? civil wars?
You want more armies of child soldiers?
Humanity is pig disgusting!
Fujoshi fantasies is murderer!
Fucking baka perverts domo me
“Humor is an interrupted defense reflex…”
Those nightmares sound familiar…
All that violent domination-submission stuff is right out of the straight male (and female) anxiety closet. Pure “the other” again at work. Tar some poor bastard outcast will all our secret ickky fear feathers. Heck, even herr Hegel was stretching a metaphor in a time and place where aristos (the descendants of very successful thugs) endlessly fought over land and peasants in an eternal zero-sum game that was war in Europe before the rise of “modern” mass politics and citizen armies. If anyone is is prone to violence and degradation with towards gay guys, it is usually the gangs of nominally “normal” bashers who have terrorized gay folks for centuries. There was a big nasty reason why the “love that dared not speak its name” didn’t dare: It would get savagely beaten to death by god-feerin’ clowns. And as to why straight women should pick up on that violent fear vibe, even in Japan, where supposedly male homosexuality -as a private indulgence – was better tolerated; straight male violence towards women would be more than enough to paint most males as one step away from going berserk under “some” circumstances . We will not mention Nanking, nope, not at all.
So yeah, you are going to see dom/sub stuff in gay and lesbian culture, but it is more likely “turn it into theater to take the edge off reality” role-playing that has been absorbed from mainstream culture and being turned back on itself. And you are going to see a whole heck of a lot more real nastyness, in absolute and relative terms in straight culture just because they are more of us “normal” types to misbehave horribly.
So no wonder Japanese gay guys get angry at fujoshis “leering like dirty old men” at yaoi, and filling the magazine shelves with stuff that will just deepen the despair and confusion of youths who find themselves in a crisis over their emergent sexuality. Just think: a silly dojin fantasy or 10 could send some poor kid off a school roof or train platform.
Naw, you can’t take the stuff too seriously.
if you did, you would shatter with rage…
So with that, back to agency. This essay started with the ghostly appendage as symbol of agency, moved to the speaking role as agency, thence to the forgoing of give and take within sex to instrumental, objectifying narratives in fantasy and now questions the whole exercise of power within the structure of fujoshi works. So again – why guys? (just because they think we are hawt?) To really play with the power dynamics in a relationship, fujoshi/ slash-fen assert that it is best to control the variables.
Some theorists have commented that fangirls prefer m-m fantasies because they want to avoid being seen as/ contaminated by/ imprinted upon by the mock-lesbian narratives of yuri. Fujoshis might reply that a yuri battle of power and sex between two bitchy female executives could get so implausible and boring so fast as to really really be a dry hump – even if you get off on f-f action. Even loser fanboys must admit that Borg Queen x Janeway just doesn’t do that much…
Unless one gets off within the granola confines of 1990’s era politically correct, vanilla American slash fiction… (the following was too funny to leave out)
From MJJ again, on slash sex:
A gay man once remarked about western slash that the characters always behaved like recognizable gay men until they got into bed and then they suddenly turned into middle-aged women. Hours and hours of foreplay are followed by gradually building climaxes and an explosive very wet orgasm- and then another, and another, and another… and then the two men have a cozy conversation about how much they love each other and fall asleep in each other’s arms. Real men, he said, don’t do that.
Hours and hours? Middle aged women? Further study is required…
In the meantime, to take the whole power-weapons-might-ability m-m thing over the top, howabout using cartoon characters that can’t be mistaken for real folks no matter how hard you try?
Here are some cartoon male weapons making moon-eyes at each other for the amusement of fujoshis, Finally! No humans were harmed in the making of this wet dream!
Behold the perverse desires of the Deceptacons! via Tokyo Scum Brigade’s coverage of Transfunket:
http://tokyoscum.blogspot.ca/2012/10/transfunket-fujoshi-in-diguise.html If the videos and pix are down, try this page of links to all the dojin circles that were showing there. May your google xlate work better than mine.
As Laurie Anderson once asked
¿Qué es más macho, pineapple or knife?
Well, let’s see. My guess is that a pineapple is more macho than a knife.
Sí! Correcto! Pineapple es más macho que knife.
I think I have dragged this one out as long as I can…
Perhaps like the Laurie Anderson song, this is all ancient history.
As commercial BL becomes a profitable niche market in Japan, the original girls’ romance roots of the genre (shoujo manga) are brought to the foreground and depictions of m-m romance are pushed in the direction of a sensitivity towards imagined real-world gay male concerns, or the girls’ ideas of how to treat depictions of gay guys respectfully, or at least in a “politically correct” manner (as opposed to the desires of actual Japanese gay male bara readers). And there is always the novelty of trying to merge some more “realistic” male gay details/ verisimilitude into the conventions of the genre. Hey! The publishers might grab some extra market share along the way. Meanwhile shonen manga hedges its bets and loads the shotgun with goggle bait so that it can “salt” its pages and maintain a certain of level of fujoshi appropriation and market interest. The hardcore fan produced stuff stays tucked away on the tables at comiket and sealed in plastic sleeves in the speciality stores of maiden road.
Rika is representative of the “new generation” of socially accepted/ recognised/ tolerated fujoshi: according to current reports, the market is now going out of its way to cater to their tastes. Nothing says acceptance in Japan better than “market share”. Per Okazu’s Erica-sensei, the whole of “maiden road” is now exclusively bl/y for fujoshis – yuri is harder to find, even though she declares that more “quality” (woman friendly) yuri and shoujo-ai is reportedly being published. Sometimes a yuri-loving woman has to go dig through the otaku-pits of Akiba to find some (fear not, she reports that off-the-main-trail supplies have been located).
Japanese merchants and publishers like fujoshis!
MJJ again, from 2002:
All of this misses the point. Most yaoi characters aren’t even realistic men, let alone gay ones. Most yaoi is fantasy pure and simple, on the level of unicorns and elves. It may be the only fantasy here that’s 100% female-created, and I think should be cherished just for that. But this flies in the face of western belief that the personal is political, and that a fantasy can’t exist totally separate from social reality. If yaoi goes mainstream, I think it will be forced, consciously or unconsciously, to conform to notions of what’s politically correct and acceptable. At that point it will cease to be the untrammeled expression of female eroticism, as it is in Japan, and will cease to be yaoi. (emp added)
Today they are a market segment.
Go ahead Rika, have another beer and talk as loud as you want…
(1) We poor gaijin miss a whole bunch of things when we read Japanese stories that feature embarrassment, and take it only as western-style embarrassment. The abrahamic religious concept of “sin”, as it is libidinized in our culture is less prevalent in Japan. Generally, what is done in private is a private matter, But if what should be kept private slips out into the public, then that is both shame and kink, as in the western libidinized “sinful”. And of course the definition of ‘public” and “private” are fluid and subject to detailed contextual rules.
(2) Hmmm! Something is wrong here! The referenced paragraph was just a quick allusion to one of the big gaijin truisms about Japan – You can find similar on Neojaponism, and in that curious Japanese Culture blog that promotes a whole lot more theory than mine and many others… However, imagine my surprise, as I finished writing it and was trolling through the MJJ/ Aestheticism essays on archive.org when I ran into a paragraph that was thematically the same as what I had just written, except she had no access to the yama-girls reference and had used an earlier one. And I am quite sure I had not read hers before. So up goes a warning flag! If there is one thing I have learned in theory land is that when this kind of groupthink pops up we (the groupthinkers) are missing a whole lot of the picture. This requires further study.
That said, another interesting thing about that “Japanese Culture” blog (burogu.com) above, is the writer’s fascination with a modified/ inverted Lacanian analysis, and his insistence on the Japanese habit of reinforcing surface appearance with sequences of familiar, repeated surface behaviour, practiced through “kata” , e.g; the warm-up exercises in martial arts, etc. This too could yield an interesting take on all Japanese narrative form, not just amateur naughty tales, if patterns of action endlessly repeat across stories. Okazu’s Erica-sensei has voiced annoyance at the ubiquitous “story A” in yuri. Is that “kata”? Familiarity is reassuring. Get it perfect through practice! Invoke Often!
(3) See (4) Also, one more time from the previously referenced essay by Rio Otomo:
“What happens to the daughters of these housebound women in the suburbs? Have they turned into the yaoi girls who are the consumers of the cute boy images and their erotic stories? The participants of the otaku debate unanimously agree that in this context gender difference is asymmetrical. The girls who do not want to repeat the Mothers’ life have two choices; to embody their time-frozen images as a little girl in order to get men’s attention, or to live in the liminal space between such images and their own bodily actuality.”
(4) …And neither have anything to do with the Lady Lucrezia Mongfish-Heterodyne, though the Foglio’s characterization of their big-bad is a hoot!
(5) Muda-kun’s iron law of why you buy naughty knickers for your sweetie at your peril:
a) You will not spend anywhere near enough. Quality lady knickers are expensive!
b) She will find your choices will be uncomfortable and ridiculous.
c) They wont fit – and if you are crazy enough to still try this, make damn sure you err on the side of too small.
d) “So you are saying I need this stupid junk to make myself attractive to you ???”
DEATH FLAG goes up!
Here are some extra considerations..
e) A gift card to a reputable firm (not a sex shop!) is marginally acceptable, only after she comments on the poor fit/ trouble/ expense of finding comfy undergarments. Anything less than $100 fails via rule (a), so be prepared to take the hit in the wallet. Ask her which store before buying the gift card. Wait until it is sometime near her birthday. Or just offer your credit card. Even if she makes more than you do!
(f) No, you can’t watch her buy them.
(g) above goes 10X for high-heeled shoes. Don’t even go there!
h) No wonder guys lust after young inexperienced women; you think you can find a naive one that will let this stuff slip, don’t you? Bakka!!!
(6) Muda-kun’s corollary to the iron law – henceforth known as the Spotted Flower exception:
If she does end up deploying fancy knickers for you, you better have a blue pill in reserve – even if you are 16 years old and exceptionally virile. Because if you fail at this point you have just… dug… your… own… grave !!! … Just sayin’… No pressure…